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MiQ unveils global report on advanced TV advertising

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Mumbai: MiQ, the world’s largest independent programmatic media partner for brands and agencies, unveiled its global Advanced TV research report, which surveyed 7,000 consumers and 1,100 decision-makers from brands and agencies across eight countries, including India, the US, UK, Canada, Germany, Australia, China, and Singapore.

The report reveals that TV viewing habits have become more fragmented globally, with average daily watch time across linear TV and OTT being 2 hours and 53 minutes, and watch time on streaming platforms surpassing linear TV by 22 per cent. Cord trimmers (those who watch OTT and linear), cord cutters (a little linear, mainly OTT), and cord nevers (OTT-only) outnumber those who only watch linear TV three-to-one globally.

The report highlights the following trends in global TV consumption:

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●    Consumers subscribe to three streaming services on average
●    10 per cent of viewers jump from subscription to subscription based on what they’re watching
●    93 per cent of consumers are re-evaluating their subscriptions, and 33 per cent of those are looking at ad-supported platforms.

With a clear shift towards streaming, marketers need to include connected TV as a key pillar of their advertising strategy. The report also points out that consumers aren’t giving their full attention to just one screen; in fact, 45 per cent of viewers often (or almost always) use a second screen while streaming videos or watching content on TV.

Viewership insights from India reveal that:

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●    Attention is split – 56 per cent of consumers use a second screen frequently when streaming videos or watching TV
●    Price is more important to consumers than content – 42 per cent of consumers claim that cost is a bigger consideration on streaming platforms than content.
●    Ad tolerance is high – 37 per cent of viewers would consider a cheaper ad-supported streaming (AVOD) platform

Brands and media agencies are optimistic about increasing ad spends on Connected TV with:

●    59 per cent of Indian brands and agencies anticipate a rise in their CTV marketing spend over the next 12 to 24 months
●    74 per cent of CTV advertisers measure the success of their campaigns through reach/frequency towards the intended target audience

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Commenting on the global report, MiQ global commercial board member and managing director Siddharth Dabhade said, “Consumer and advertiser insights from our report indicate that connected TV advertising is poised for robust growth in India. With the highest ad engagement rate in the world, CTV advertising presents a huge opportunity for brands to make an impact on the biggest screen in the household by taking a data-driven approach to TV planning and activation. Trends like cord-cutting and second-screening are on the rise, which implies that advertisers need to focus on mobile retargeting and competitive conquesting to supplement their CTV strategy.”

According to the report, only 15 per cent of the respondents who have executed CTV ad campaigns consider themselves a CTV ‘expert’ owing to the cost and creative challenges advertisers face when planning and executing a CTV campaign.

To gain more insights on CTV advertising in India download the report: https://marketing.wearemiq.com/advanced-tv-report

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WPP appoints Hephzibah Pathak CEO of WPP Creative India

Ogilvy India chair takes charge of unified creative model in key market

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NEW DELHI: WPP has appointed Hephzibah Pathak as chief executive officer of WPP Creative India, putting a local leader at the helm of its newly created creative operating model in one of its most important growth markets.

The move brings clarity to how WPP’s global restructuring will play out in India, weeks after the group unveiled WPP Creative as part of its Elevate28 strategy. The unit sits alongside WPP Media, WPP Production and WPP Enterprise Solutions, and is designed to simplify what the company previously described as an overly complex structure.

Pathak, who continues as executive chairperson of Ogilvy India, will represent all agencies under the WPP Creative umbrella in India. Her role centres on driving integration across brands, expanding capabilities and ensuring clients can tap into the network’s full talent pool without friction.

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WPP said Pathak will work closely with agency brand CEOs to “enhance integration, expand capabilities, and ensure seamless client access”, while maintaining the distinct identities of its agencies.

The portfolio under WPP Creative includes leading networks such as VML, Landor, AKQA and Grey, along with Burson and its affiliated firms. Leaders across these agencies will now report into Pathak, even as each brand continues to operate independently within a unified system.

The appointment also formalises a dual-track strategy in India, preserving agency identities while accelerating collaboration. Pathak is expected to work closely with media leadership to align creative and media capabilities, reflecting growing client demand for integrated, multi-market solutions.

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WPP Creative global CEO Jon Cook has described the unit as “not an agency” but an operating system that helps creative, design and PR brands work together more effectively. The group has been clear that it is not merging or phasing out legacy agency brands, instead aiming to reduce complexity on the client side.

Pathak brings nearly three decades of experience within the network, having joined in 1997 and held roles ranging from Mumbai office head to chief client officer. She made history in 2024 as the first woman to lead Ogilvy India in its 95-year presence in the country.

Her expanded mandate positions India at the centre of WPP’s Asia-Pacific strategy, with a focus on strengthening brand presence, deepening client relationships and unlocking growth in a fast-evolving market.

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The appointment signals WPP’s intent to move beyond the traditional holding company model towards a more integrated, AI-enabled structure. With Pathak now steering WPP Creative India, the group appears set to test whether simpler structures can indeed deliver sharper creative outcomes.

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