iWorld
Nielsen to track TV viewership on mobile devices through FB
MUMBAI: With changing times, researchers want to know more than what people are watching on their TV screens. They now want to know what people are viewing, on the go.
Nielsen, a research company, has announced a partnership with social media giant Facebook to know what TV viewers are watching on their tablets and other mobile devices. The agency currently tracks TV viewing habits through peoplemeters.
By the end of this year, Facebook will send aggregated data on the age and gender of users watching TV shows on their smartphones and tablets to the research agency. Facebook is said to have been working with Nielsen under strong privacy principles.
In the past, Facebook had came under much criticism for a research activity it had conducted in 2012 on anonymous users by modulating the user feed to elicit certain types of emotions from them.
“The world is shifting radically, and so we had to evolve our measurement so that we could capture all of this fragmented viewing,” said Nielsen EVP Cheryl Idell to LA Times.
When device users will watch TV shows on apps that have Nielsen ‘software meter’ embedded, they will be notified about their views being counted unless they wish to opt out. However, Facebook insists that this will be an anonymously collected data that will be shared with Nielsen.
The double-blind study involves Nielsen assigning numbers to names of TV shows and giving it to Facebook which will then aggregate the age and gender of the users that have seen a specific show. Nielsen claims that Facebook won’t be aware of which numbers relate to which shows while the social networking site claims that the study will not influence any type of online advertising displayed in users’ feeds.
However, the data will be used by advertisers to better target majority of mobile watchers for ads that are inserted within shows.
iWorld
Arafta Season 2 greenlit as YouTube hit crosses 850 million views
GoQuest, Rains double down on global Turkish drama success story
MUMBAI: GoQuest Media and Rains Pictures have greenlit Season 2 of Arafta, riding on the runaway success of its debut season that has clocked over 850 million views on YouTube and secured licensing deals across 19 territories.
The upcoming season, already in production, will span 100 episodes and continue with a YouTube-first release strategy, a model that has proved to be a quiet disruptor in global content distribution. Season 1, which premiered in November 2025, built a strong digital following before translating that traction into international deals.
The series is currently licensed to platforms including Amazon MX Player in India, Kanal 7 in Turkey, and Vidio, along with several markets across Europe such as Romania, Hungary and Latvia. Across five language channels, the show has amassed more than 2.5 million subscribers, signalling growing global appetite for Turkish storytelling.
Notably, many of these licensing deals were struck after the show had already aired on YouTube, flipping the traditional distribution model on its head. Instead of competing with broadcasters, the digital-first strategy appears to be doing the heavy lifting in building awareness and audience demand.
GoQuest Media managing director Vivek Lath said, “Arafta is proving out what we believed about the make-to-sell model. A YouTube-first release does not compete with licensing. It builds the asset that licensees are buying.”
Season 1 wrapped on April 17 with a globally streamed finale that drew over 102,000 concurrent viewers, setting the stage for the next chapter. Lead actors İlsu Demirci and Emin Günenç will return, with the narrative continuing to explore themes of love, vengeance, sacrifice and fate.
Rains Pictures executive Sevda Kaygısız said the decision to move quickly into Season 2 was driven not just by success, but by the depth of the story still to be told. “Arafta is not just a successful project for us; it reflects our belief in powerful storytelling and building a genuine emotional connection with audiences,” she noted.
As Turkish dramas continue to travel beyond borders, Arafta’s success underscores a larger shift in how global hits are made and sold. In this case, the small screen found its big moment online first, and the world followed.
