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Netflix CEO Reed Hastings believes free-to-air TV will be extinct by 2030

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NEW DELHI: At a time when Prasar Bharati CEO has said Doordarshan’s future lies in Freedish, Netflix CEO Reed Hastings has said that “the age of broadcast TV will probably last until 2030.”

 

Speaking at a Netflix event in Mexico City, Hastings compared broadcast television to the horse and cart and said it will simply be a ‘casualty of evolution’. “It’s kind of like the horse, you know, the horse was good until we had the car,” he commented. Hastings has expressed his thoughts on the death of linear TV before, predicting in April 2013 that it would be replaced by online TV.

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The current model of TV programming distribution will be broken and non-existent within the next decade and a half, he further said.

 

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Hastings told reporters that he thinks the current system where television channels are grouped into free-to-air network television and premium cable channels is becoming obsolete.

 

Recent data suggests Netflix makes up more than a third of all internet traffic in North America during peak periods. That’s far more than any other source, and an indication of the type of heft that the once upstart company now has in the content game.

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Netflix no longer breaks out its Canadian subscriber numbers separately, but boasts more than 34 million households in the United States— comparable to the reach of many television networks.

 

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To keep up with that growth and pay for exclusive content like Orange Is the New Black, the company recently announced a price increase of between $1 and $2 a month for new customers.

 

The company showed off its disruptive influence in the industry in the summer in a testy exchange between a Netflix executive and the CRTC, which was demanding that the company hand over reams of subscriber data — something the company says it has no legal obligation to do.

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That exchange came as the regulator was looking into changing the rules on “bundling” cable whereby customers are forced to pay for packages of channels — as opposed to picking and choosing the ones they want.

 

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Although Netflix is the giant of the streaming space, others exist. Earlier this year Rogers and Shaw launched Shomi, a streaming service that’s meant to rival Netflix.

 

Ratings company, Nielsen, is going to start tracking Netflix viewing in its ratings numbers, something it hasn’t done before.

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Although Netflix likes to boast about the popularity of its shows, Hastings downplayed the significance of Nielsen’s move because, by the company’s own admission, it will not include mobile usage.

 

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“It’s not very relevant,” Hastings said and added, “There’s so much viewing that happens on a mobile phone or an iPad that (the new ratings]) won’t capture.”

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iWorld

Talk to your telly: JioHotstar’s new AI voice feature reads your mood to suggest shows

The streaming giant ditches the scroll for a “conversational” AI that understands moods, cricket and Hinglish

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MUMBAI: The era of the endless scroll may finally be over. JioHotstar has officially flicked the switch on its “Conversational Voice Discovery” (CVD) feature, a high-tech overhaul designed to turn the hunt for a Friday night film into a natural chat. Developed in a landmark partnership with OpenAI, the tool moves beyond clunky keyword searches, allowing users to find content by describing their mood, context or even the most bizarre viewing scenarios.

The feature is vision of Uday Shankar, vice chairman of JioStar, whose goal is to eliminate “content overload” by replacing the tedious, traditional scroll with natural dialogue. By leveraging ChatGPT’s ability to grasp context and cultural nuance, the new mobile interface allows users to bypass menus entirely, turning search into a seamless conversation.

The launch, which rolled out across India this month, sees a ChatGPT-powered interface integrated directly into the heart of the app. Instead of typing “action movie” into a sterile search bar, viewers can now speak to their devices as if they were asking a well-read friend for a tip. For now, the feature is exclusive to the mobile app, with a rollout for Connected TV (CTV) expected in later phases.

Beyond the keyword
The CVD feature is built on what JioStar calls “Multilingual Cognitive Search.” It is designed to interpret nuance rather than just matching text. If you tell the app, “I’ve had a long day, give me something mindless and funny,” it won’t just look for those words in a title; it will sift through 300,000 hours of library content to find a light-hearted sitcom or a stand-up special that fits the vibe.

The tech is natively multilingual, catering to India’s diverse linguistic landscape. Users can switch effortlessly between languages—asking for “Koi light-hearted comedy dikhao” (show me some light-hearted comedy) or requesting a “Thriller hai but zyada dark nahi chahiye” (a thriller that isn’t too dark).

Real-time curiosity and live sports
Perhaps the most ambitious aspect of the rollout is its integration with live sports. During a high-stakes cricket match, the AI acts as a digital companion. Fans can ask, “Who is the top scorer right now?” or “Show me that last wicket again,” and the system will pull the relevant data or clips instantly. It even attempts to explain the “why” behind the crowd’s energy, responding to prompts like, “Why is everyone reacting like that?” by contextualizing on-field events.

A shift in streaming strategy
The move is part of a broader reimagining of the entertainment experience following the massive merger between JioCinema and Disney+ Hotstar. Uday Shankar noted that the goal is to make premium entertainment “truly accessible” by embedding AI at the core of the user journey. By anticipating culture and context, the platform hopes to kill off “decision fatigue.”

For OpenAI, the partnership represents a major play in the Indian market. Fidji Simo, the head of applications at OpenAI, said the goal was to turn a “one-way” passive consumption experience into a “deeply personal conversation.”

As the feature goes live for millions of subscribers, the message from Bombay House is clear: the remote control is becoming obsolete. Whether you’re looking for a show that “feels like a rainy Sunday afternoon” or a crime series with a “strong female lead but not too violent,” all you have to do is ask.

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