iWorld
Big B is the undisputed king on Twitter among Bwood celebs
MUMBAI: In his career spanning more than four decades, no actor has been able to surpass the craze of Amitabh Bachchan. And now the shehansha of Bollywood seems to be ruling the social-media space as well. According to the “Bollywood Twitter Index”, a social media analytics report released by To The New, a leading digital services ecosystem in India, AB has been crowned the undisputed king of Twitter among his Bollywood counterparts.
The report is based on a research by ThoughtBuzz, the social media analytics’ arm of To The New. The Bollywood Twitter Index reveals that Amitabh Bachchan continued to reign over the micro-blogging site with the highest number of followers, clocking a growth of 87 per cent over the last year, followed by the Khan-brigade – Shah Rukh Khan, Salman Khan and Aamir Khan. Making an appearance at number five, Priyanka Chopra is the only actress in the top five Indian movie celebrities’ list.
Despite gaining the maximum number of followers over the last one year with 151 per cent increase, Bollywood’s Dhak-Dhak girl, Madhuri Dixit narrowly missed making it to the list this year. She was nudged out by B-town fashionista, Sonam Kapoor, who hung on to the number 10 position with an 87 per cent increase in followers since last year.
Other significant gainers include Akshay Kumar with a 99 per cent increase and Deepika Padukone with an 82 per cent increase in the number of followers over the last year.
One of the most interesting things to note is that despite being virtually inactive, Aamir Khan has continued to attract fans, having amassed nearly two lakh new followers in the last two months. Aamir’s only tweets in the current year are about narration of his experience of meeting David Cameron, Prime Minister of United Kingdom and #ThankYouSachin during the cricketer’s last test match in Mumbai.
Other revelations that the study makes: Around 27 percent conversations that Bollywood celebrities indulge in on Twitter are about promoting their work or films; around 24 per cent of the tweets are about their personal experiences or general interactions with their fans; the rest of the Twitterverse discussions are based around promoting their own brands (9 per cent), favourite quotes (7 per cent), opinions about specific issues (6 per cent) and social causes (4 per cent).
iWorld
Uber spotlights Rs 25 bike rides with music led IPL campaign
Uber uses 15 second music films with Divine and Roll Rida to push Rs 25 rides
MUMBAI: In a season where ads usually swing for sixes with celebrity spectacle, Uber has chosen to play a clever single sharp, fast, and straight to the point. Uber has rolled out a distinctly stripped-down IPL campaign, putting its product Uber Bike rides starting at Rs 25 for up to 3 km front and centre, rather than leaning on big-budget storytelling. The campaign features hip-hop artist Divine in Mumbai and Roll Rida in southern markets, using music as the primary vehicle for recall.
IPL advertising has long been dominated by high-production narratives packed with cricketers and film stars. Uber’s approach flips that playbook. Instead of elaborate storytelling, the brand opts for 15-second music-led films quick, rhythmic bursts designed to mirror the pace of urban mobility itself.
The message is deliberately simple, affordable, fast rides that cut through city traffic. No layered plots, no extended build-up just a functional promise delivered with cultural flair.
In the Mumbai-led film, Divine zips through traffic on an Uber Bike, turning the Rs 25 price point into a hook with his signature wordplay around “pachisi”. The campaign cleverly reframes affordability as a moment of delight, the kind that leaves commuters with a “32-teeth smile” after beating traffic at minimal cost.
Meanwhile, Roll Rida’s version leans into southern sensibilities, blending Telugu and Tamil influences with high-energy visuals. Set to the beat of tape drums, the film celebrates how low-cost rides can unlock a more connected and vibrant city experience. Together, the films reflect a conscious push towards regional authenticity, rather than a one-size-fits-all national narrative.
The campaign also signals Uber’s sharper focus on India’s growing bike taxi segment. While the company offers multi-modal services spanning cars, autos, metro integrations and intercity travel, this push zeroes in on two-wheelers as a key growth lever in dense urban markets.
By anchoring the campaign around a Rs 25 entry price for short distances, Uber is targeting everyday commuters, particularly younger users navigating congested cities where speed and cost matter more than comfort.
With IPL advertising clutter at its peak, even the most straightforward message risks getting lost. Uber’s answer is to embed the proposition within culture using music, regional nuance and repeat-friendly short formats to drive recall. The creative team has also layered subtle visual cues including multiple references to “25” within frames encouraging repeat viewing and reinforcing the core message without over-explaining it.
The campaign reflects a broader shift in advertising priorities. As attention spans shrink and media environments get noisier, brands are increasingly favouring clarity over complexity and speed over scale.
Uber’s IPL play may not shout the loudest, but it lands where it matters in the everyday commute. Because sometimes, in a marketplace full of grand narratives, a Rs 25 ride is story enough.
