iWorld
Netflix India draws ire over a scene in A Suitable Boy
KOLKATA: Netflix India has landed in yet another controversy – this time, over a kissing scene in the series A Suitable Boy. The sequence depicting a Hindu girl kissing a Muslim boy against the backdrop of a Hindu temple seems to have offended a section of viewers as well as right-wing political leaders.
The outrage is not limited to #boycott anymore. Bharatiya Janata Party’s youth wing leader Gaurav Tiwari filed a police complaint about the drama for “shooting kissing scenes under temple premises.” The complaint named Netflix India VP content Monica Shergill and public policy director Ambika Khurana. According to Tiwari, the show encourages ‘love jihad’.
Narottam Mishra, the minister of home affairs in the government of Madhya Pradesh, also said on Twitter that he has asked the police to examine this controversial content. "This has extremely objectionable content which hurts the sentiments of people of a particular religion," Mishra commented.
A Suitable Boy is based on a 1993 novel by Vikram Seth and revolves around a young Hindu woman struggling with her mother's edict that she must soon be wed. The six-part series, originally produced by the BBC, is directed by acclaimed filmmaker Mira Nair, who is known for her big screen ventures like The Namesake, Queen of Katwe, and Monsoon Wedding.
This isn’t the first time the streaming giant has found itself in hot water with Indian audiences. Calls of #BoycottNetflix did the rounds on social media over the Telugu film Krishna and His Leela, apparently for associating the names of Hindu deities with erotic content. Deepa Mehta’s web-series Leila also stoked controversy, with naysayers claiming the show was propagating ‘Hinduphobia’. More recently, it was embroiled in a legal tussle over its documentary Bad Boy Billionaires when the fugitive moguls featured in the series challenged its broadcast in court.
The timing of the outcry is also to be noted, coming on the back of a recent government notification bringing content on OTT platforms under the regulatory ambit of the ministry of information and broadcasting.
iWorld
Subedaar puts Indian original cinema on the global map with record-breaking Prime Video debut
MUMBAI: Prime Video has a runaway hit on its hands. Subedaar, the gritty action drama starring Anil Kapoor, has stormed to become the most-watched Indian original movie on the platform in its opening weekend, cracking the Top 10 across 31 countries and landing in 91 per cent of India’s pin codes within days of its March 5 premiere.
The film, a visceral, emotionally-charged story of a retired soldier, Subedaar Arjun Maurya, wrestling with civilian life amid crime and corruption, has struck a nerve. Directed by Suresh Triveni and co-starring Radhikka Madan, Mona Singh, Saurabh Shukla, Aditya Rawal, Faisal Malik, and Khushboo Sundar, the film is already being hailed as a showcase for what Indian original storytelling can achieve on the world stage.
“Subedaar’s success is a reflection of the growing scale and global resonance of Indian storytelling,” said Nikhil Madhok, director and head of originals at Prime Video India. “The film’s emotional narrative, its rooted portrayal of a soldier confronting his toughest battles beyond the battlefield, has struck a chord. Anil Kapoor delivers an acting masterclass, while Suresh Triveni’s solid direction and great performances from the ensemble cast have resulted in love and appreciation from customers across the world.”
Kapoor, 62, has been here before, but rarely at this altitude. Written by Triveni and Prajwal Chandrashekar, with dialogues by Triveni, Saurabh Dwivedi, and Chandrashekar, the film is a production by Opening Image Films in association with Anil Kapoor Film & Communication Network (AKFCN), produced by Vikram Malhotra, Kapoor, and Triveni.
Subedaar streams exclusively on Prime Video in Hindi, Tamil, and Telugu across India, and in over 240 countries and territories worldwide.
For Prime Video, the numbers tell the real story: one weekend, one film, a global footprint, and a very loud signal that Indian original cinema is no longer just travelling well. It’s arriving.
