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AI will become a necessity, not a choice: WPP Media’s Parveen Sheik on the future of advertising

WPP Media’s head of business intelligence outlines why the real disruption lies in discovery, not just creativity

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MUMBAI: Artificial intelligence is no longer a futuristic add-on in advertising; it is steadily embedding itself into the very mechanics of how consumers discover brands. According to Parveen Sheik, head of business intelligence at WPP Media, the industry’s conversation around AI needs clearer distinctions, particularly between AI-led creative and AI-powered media and discovery.

Addressing concerns around AI-generated campaigns, Sheik drew a clear distinction between AI-led creative and AI-powered media. Referring to the Coca-Cola example mentioned during the discussion, she noted that such cases relate to AI being used within creative execution. She emphasised that WPP Media’s approach is different. The focus is not on creating advertisements through AI, but on integrating AI into search behaviour, media placements and brand discovery journeys.

However, she argues that this is only one dimension of AI’s role in advertising.

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“The lens we are approaching from is not about creating the advertisement itself,” she explains. “It is about how AI integrates into media and discovery.”

Rather than focusing on AI as a content creator, Sheik highlights its growing influence in search behaviour and brand discovery. As AI-powered search experiences become more common, such as AI overviews in tools like Google Gemini, advertising is expected to blend seamlessly into these environments. Brands will increasingly surface in AI-driven search results in ways that feel organic rather than intrusive.

“This is about infusing AI into general search behaviour so that it does not feel like AI,” she says. “Soon, you will not be able to differentiate between AI-generated and human-created content.”

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The convergence is already visible in commerce. Sheik points to the integration of AI within quick commerce platforms, citing Blinkit’s partnership with OpenAI as an example of how AI is being embedded into product discovery journeys. In such ecosystems, AI-generated prompts and suggestions will support users as they search for products, guiding them from discovery to checkout.

From a brand perspective, she describes this as AI-enabled advertising at the discovery stage rather than creative storytelling. The objective is not to push products aggressively but to ease decision-making.

“When I go on to a platform, I am seeking information,” she notes. “AI is making that discovery easier. It is easing you into the decision-making process, not forcing you.”

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Concerns around accuracy and reliability, she acknowledges, are natural in any technological shift. Initial glitches are inevitable. Yet Sheik draws a parallel with Microsoft Excel, once a specialised tool, now an everyday necessity. In her view, AI will follow a similar trajectory within the next two to three years.

“It will become part of your daily routine,” she says. “It will be a necessity rather than something we question whether we should use.”

The employment debate surrounding AI is equally complex. Sheik frames it less as a binary threat and more as a question of relevance. “If we are not relevant, we stop being in the game,” she observes.

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Recent developments, such as Anthropic releasing AI coding tools and the resulting jitters in the IT services sector, illustrate the disruption underway. Yet she also points to collaboration, such as partnerships between Infosys and Anthropic, as evidence that adaptation and opportunity coexist alongside risk.

“You will have pluses and minuses happening side by side. That is inevitable,” she says.

On the broader advertising outlook, Sheik suggests that the current year may not look dramatically different from the last unless a significant technological inflection point occurs. Growth trends are likely to hover within incremental percentage shifts unless a major platform transformation reshapes media allocation.

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For instance, if OpenAI were to formally open advertising in markets like India after expanding in the US, it could significantly alter search growth projections. However, such gains would not necessarily represent new money entering the system.

“Advertisers have limited budgets,” she explains. “If one channel gains, another will lose out. It is not as though brands will suddenly put more money on the table.”

A genuine expansion in advertising expenditure would depend on broader economic growth, enabling brands to increase overall budgets rather than simply redistribute them.

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Ultimately, Sheik sees AI not as a disruptive outsider but as an inevitable layer across the advertising ecosystem, shaping search, commerce, media planning and consumer journeys. The real transformation, she suggests, lies not in flashy AI-generated campaigns, but in the quiet, seamless integration of intelligence into everyday brand discovery.

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Gaëtan du Peloux of Marcel named jury chair for Abby Awards 2026

French creative leader to head Still Print category at Goafest this May

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Gaëtan du Peloux

MUMBAI: Gaëtan du Peloux, co-president and chief creative officer at Marcel, has been appointed jury chair for the Still Print category at the Abby Awards 2026, powered by The One Club | The One Show.

Born in Paris and the eldest of seven siblings, du Peloux began his career as a copywriter at CLM/BBDO in 2003. Over the years, he has become one of the most celebrated French creatives of his generation, with over 400 awards to his name, including multiple Cannes Lions Grand Prix, D&AD Black Pencils and One Show best of show accolades.

At Marcel, the creative hot shop of Publicis Groupe, du Peloux and his creative partner, Youri Guerassimov, have produced landmark campaigns for national and international brands. Notable work includes “The Inglorious Fruits & Vegetables” for Intermarché, “The Black Supermarket” for Carrefour, “HackMarket” for Back Market, and “WoMen’s Football” for Orange.

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Du Peloux also serves as president of the French Art Director’s Club and has participated in numerous creative festivals worldwide, including D&AD, Cannes Lions, One Show, Clio, LIA, Eurobest, Andy, NY Festival and French ADC. Outside work, he is a husband and father of three.

The Abby Awards 2026 Powered by The One Club | The One Show will take place during Goafest 2026 from 20 to 22 May in Goa, where du Peloux will lead the judging of the Still Print category.

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