I&B Ministry
MIB mulls sharp cut in Rs 20 crore net-worth rule for TV rating agencies
Ministry reviews norm to widen competition in ratings
NEW DELHI: The ministry of information and broadcasting is reconsidering a key eligibility norm for television rating agencies, with officials weighing a sharp cut in the minimum net-worth requirement to broaden participation in the audience-measurement market, Storyboard18 reports.
Under the draft policy guidelines issued by the ministry, companies seeking registration as television rating agencies must have a minimum net worth of Rs 20 crore, certified by a statutory auditor. The draft also sets out rules on corporate structure, board composition and cross-holding restrictions.
Officials are now examining whether the threshold should be lowered to around Rs 5–10 crore, following representations from multiple stakeholders who argue that the current bar stifles competition and innovation.
The Rs 20-crore requirement was designed to ensure financial resilience in a sector that directly influences advertising revenues, said a senior industry executive. But advances in data analytics and measurement technologies have significantly reduced the capital intensity of audience tracking, the executive added.
Supporters of the proposed recalibration say the existing benchmark has effectively shut out credible start-ups and research-driven firms. A lower threshold, they argue, would allow technology-led players to challenge legacy models and diversify the ratings ecosystem.
Executives at digital measurement firms also say the move would better reflect the convergence of television and digital viewing. Audience measurement today is increasingly software-driven rather than infrastructure-heavy, one executive said, making high capital thresholds less relevant.
Others, however, warn against weakening financial safeguards in a market that shapes advertising spends running into tens of thousands of crores. Sustaining nationwide panels, audit systems and compliance mechanisms over a ten-year registration cycle requires deep pockets, said a senior broadcaster executive.
Another industry veteran noted that net-worth norms operate alongside bank guarantees and stringent compliance obligations. Any reduction, they said, must be carefully calibrated to avoid undermining the credibility of ratings.
The review comes amid a broader overhaul of the ratings framework. Draft amendments released by the ministry have removed several long-standing restrictions, opening the door for new entrants, including OTT platforms, distribution platform operators and big technology firms, to set up ratings agencies.
The changes are expected to intensify competition and challenge the dominance of the Broadcast Audience Research Council, while placing greater emphasis on digital and cross-platform measurement as viewing habits shift.
Minister of state for information and broadcasting L Murugan has said the ministry issued a revised draft in November 2025 after receiving feedback on the first version released in July. The amendments, he said, aim to modernise India’s TRP system, improve accuracy and representation, and reflect consumption across linear television, digital platforms and connected devices.
Media planners and broadcasters have broadly welcomed the intent of the reforms, though many caution that translating the policy into a credible, multi-platform measurement system will require substantial operational investment.
I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI:Â The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
