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Zindagi Na Milegi Dobara romps home with the Black Lady, Aruna Irani Gets Lifetime Award

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NEW DELHI: Thespian Aruna Irani who has achieved fame as an item girl, heroine, vamp a comedienne, and a producer-director, received the Lifetime Achievement Award at the 57th Filmfare Awards held in Mumbai.

‘Zindagi na milegi Dobara‘ won the best film award and its director Zoya Akhtar was named best director with her brother Farhan Akhtar bagging the best supporting actor award for males in the popular awards. The film was also voted best film by the Critics Jury.

‘Rockstar‘ by Imtiaz Ali bagged awards for actor Ranbir Kapoor in both the popular and critics categories. This year‘s Idea Filmfare Awards held a special significance as the 2500th trophy was presented at the award ceremony, to maestro AR Rahman for ‘Rockstar‘. Irshad Kamil also bagged the best lyric award for the song ‘Nadaan Parinday‘ and Mohit Chauhan won it for singing the song ‘Jo bhi mein‘ in this film.

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Vidya Balan got the best actress award for essaying the role of Silk Smitha in the film ‘The Dirty Picture‘, while ‘No one killed Jessica‘ won awards for supporting actor (female) for Rani Mukerji.

‘The Dirty Picture‘ also got awards for best costume for Niharika Khan, and Idea Sony Scene of the Year.

‘Delhi Belly‘ got awards for best debutante Director Abhinay Deo, art direction for Shashank Tere, editing for Huzefa Lokhandawala, and best screenplay for Akshat Verma.

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‘Don 2‘ won awards for best sound design for Nakul Kamte, best action to Action Concepts, and Best Special Effects to Red Chillies VFX.

‘Zindagi Na Milegi Dobara‘ also got the cinematography award for Carlos Catalon, the choreography award for Bosco Caesar, and best dialogue to Farhan Akhtar.

Best debutante male and female awards went to Vidyut Jamal for ‘Force‘ and Parineeti Chopra for ‘Ladies vs Ricky Bahl‘.

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The RD Burman award for Upcoming talent in field of music went to KRSNA for ‘Tanu Weds Manu‘ while the best background score went to Ranjit Barot for ‘Shaitan‘.

Sanjay Chouhan got the best story award for ‘I am Kalam‘, while the Special Jury Certificate for Outstanding Talent went to Partho Gupte for the film ‘Stanley ka Dabba‘.

The Idea Filmfare Awards 2011 held at the Reliance MediaWorks Studios in the Film City in Goregoan. The Awards ceremony was hosted by Shahrukh Khan and Ranbir Kapoor, and the recording will be telecast on Sony Entertainment Television on 19 February.

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Hindi

Jio Studios, Sanjay Dutt team up to revive Khal Nayak

Rights acquired for new version, format under wraps as remake plans take shape.

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MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.

Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.

While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.

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The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.

The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.

For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.

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Because in Bollywood, some villains never fade, they just wait for the perfect comeback.

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