Hollywood
The 67th Festival de Cannes jury announced
MUMBAI: The New Zealand director, producer and screenwriter Jane Campion, winner of the Palme D’Or or for The Piano, will be the president of the jury for the 67th Festival de Cannes. Cannes has always sought to adopt a universal and international approach, and in tune with this tradition, Campion will be surrounded by eight luminaries of world cinema, from China, Korea, Denmark, Iran, the United States, France and Mexico.
As in 2009 the jury will therefore include five women and four men. Their task will be to decide between the 18 films in competition in order to select the winners – to be announced on stage at the ceremony on 24 May. The winner of the Palme D’Or will be screened during the festival’s closing evening on 25 May, in the presence of the jury and the entire team of the winning film.
The jury members include:
Carole Bouquet, actress (France): After her film debut in 1977 with Luis Bu?uel in That Obscure Object of Desire, Bouquet alternated between arthouse and blockbuster productions. A Bond girl in 1981 in For Your Eyes Only, she worked with Bertrand Blier on Buffet Froid (1979) and Too Beautiful For You (1989) for which she won the César for Best Actress. She appeared in Le jour des idiots by Werner Schroeter, Michel Blanc’s Dead Tired and Embrassez qui vous voudrez, Lucie Aubrac by Claude Berri, L’Enfer by Danis Tanovic, Nordeste by Juan Diego Solanas (Festival de Cannes 2005) and Unforgivable by André Téchiné.
Sofia Coppola, director and screenwriter (United States): Coppola’s first feature film, The Virgin Suicides (1999) was selected for the Directors’ Fortnight at Cannes, where it met with international critical acclaim. Four years later, after several Oscar nominations for Lost in Translation, including Best Director, she walked off with the Best Screenplay award. Her third film, Marie Antoinette was selected in Competition at Cannes in 2006. After picking up a Golden Lion in Venice for Somewhere (2010), Sofia Coppola opened Un Certain Regard with her last film The Bling Ring at the Festival de Cannes in 2013.
Leila Hatami, actress (Iran): Born in Tehran into a family of filmmakers, she started out acting in films directed by her father, Ali Hatami, before starring in Dariush Mehrjui’s Leila (1998) which brought her to national attention. It was Asghar Farhadi who established her on the world stage with A Separation (Golden Bear at the 2011 Berlin Festival). She picked up the Best Actress award in Karlovy Vary for her role in Ali Mosaffa’s Last Step in 2012.
Jeon Do-yeon, actress (South Korea): The first Korean actress to receive the Best Actress award at the Festival de Cannes for her role in Secret Sunshine by Lee Chang-dong (2007), Jeon Do-yeon started out as a television actress before turning exclusively to cinema. Her major films include I Wish I Had a Wife by Ryoo Seung, My Mother, The Mermaid by Park Jin-pyo and The Housemaid by Im Sang-soo, presented at Cannes in 2010. A massive celebrity in her country, she has just finished shooting Memories of the Sword by Park Heung-sik.
Willem Dafoe, Actor (United States): Twice nominated for an Oscar, for Oliver Stone’s Platoon and Shadow of the Vampire, Dafoe has appeared in 80 films including Grand Budapest Hotel by Wes Anderson, Light Sleeper by Paul Schrader, The Last Temptation of Christ by Martin Scorsese, Antichrist by Lars von Trier and The English Patient by Anthony Minghella. He will soon be appearing in A Most Wanted Man by Anton Corbijn and Pasolini by Abel Ferrara. A co-founder of the Wooster Group – an experimental theatre collective – he is currently on tour with Bob Wilson’s play The Old Woman.
Gael García Bernal, actor, director and producer (Mexico): Bernal first came to public attention in I?árritu’s Amorres Perros, soon followed by Y Tu Mamá También by Alfonso Cuarón. He then featured in films directed by some of the greats of international cinema, such as The Motorcycle Diaries by Walter Salles, Pedro Almodóvar’s Bad Education, The Science of Sleep by Michel Gondry, Babel by Gonzalez Inarritu and The Limits of Control by Jim Jarmusch. In 2005, he founded his Canana production company with Diego Luna and in 2010, after a few short films, directed his first feature film, Deficit, selected at La Semaine de la Critique at Cannes.
Nicolas Winding Refn, director, screenwriter and producer (Denmark): His first film, Pusher (1996), written and directed at the age of 24, immediately became a cult movie and he shot to fame throughout the world. He then directed Bleeder (1999), Fear X (2003), Pusher II & III (2004 & 2005), Bronson (2008) and Valhalla Rising (2009). In 2011, Drive was presented at the Festival de Cannes and won the Best Direction prize, awarded by the jury presided by Robert De Niro. His last film, Only God Forgives, featured in Competition at Cannes in 2013.
Jia Zhangke, director, screenwriter and producer (China): After first studying art Jia Zhangke, born in 1970, attended the Beijing Film Academy in the 1990s. After the success of his first film, Xao Wu (1998), he directed Platform (Zhantai, 2000) and Unknown Pleasures (Ren xiao yao, 2002) selected for Venice and Cannes respectively. Still Life picked up the Golden Lion in Venice in 2006. He also presented 24 City at the Festival de Cannes, in Competition in 2008 and I Wish I Knew for Un Certain Regard in 2010. Last year, A Touch of Sin garnered the Best Screenplay prize awarded by the jury presided by Steven Spielberg.
Hollywood
Disney chair confident CEO Josh D’Amaro will ‘rise to the occasion’ in Trump–Kimmel row
Board backs new chief as ABC controversy tests leadership early on
NEW YORK: The Walt Disney Company has placed the responsibility of handling the escalating dispute between Donald Trump and late-night host Jimmy Kimmel squarely on its new chief executive, Josh D’Amaro.
Speaking at a business conference in Oslo, Disney chair James Gorman said it would be up to the CEO and his team to determine the company’s response to the controversy surrounding Jimmy Kimmel Live!. He noted that such challenges are not uncommon for large corporations and require careful handling at the leadership level.
The row intensified after both Donald Trump and Melania Trump publicly called for Kimmel’s dismissal following remarks made on his show. The comments, which referenced the First Lady, sparked backlash in the days leading up to a security incident at the White House Correspondents’ Dinner.
Kimmel addressed the issue on-air, clarifying that his joke was intended as a reference to the couple’s age difference and not an incitement to violence. He also expressed sympathy for those affected by the incident and reiterated his stance against violent rhetoric.
Despite mounting pressure, Gorman refrained from offering specific guidance on the future of the show or the host. Instead, he voiced confidence in D’Amaro’s leadership, describing him as “world class” and capable of navigating the situation effectively.
The episode presents an early and high-profile test for D’Amaro, who stepped into the top role just last month. How Disney balances editorial independence, public sentiment and political pressure will likely shape not just the outcome of this controversy, but also the tone of its leadership in the months ahead.
