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Taj Television, TNMG in interactive progamming, distribution agreement

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MUMBAI: The New Media Group (TNMG) and Taj Television, which owns sports channel Ten Sports, have formed a partnership.

TNMG will distribute and market Taj Television’s assets to users in Japan and Korea.

TNMG president Randy McGraw says, “We have been really impressed with the content that Ten Sports is producing, the company’s management, and its direction.

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“This strategic tie-up goes a long way toward our mission of establishing the preeminent IPTV and sports community management portal for the growing number of people that are under-serviced by legacy broadcasting, DTH and CATV systems in the markets where they live. We are happy to be working with Taj Television.”

Under the agreement between companies, TNMG will distribute Ten Sports to a community of 200,000 South East Asian and Subcontinent community members living and working in Japan and Korea. Taking advantage of the regions broadband and 3G mobile infrastructure, TNMG will work with Taj Television Limited initially on TV offerings, and will eventually will develop offerings for consumption on TV, PC, and mobile phones.

TNMG says that it will give its viewers the World On-Demand, and we are happy to have this solution. South Asians all over Asia will now be able to watch cricket, football, hockey, tennis, and see their favorite players and home teams doing it.

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The two companies will eventually collaborate on new, interactive offerings for consumers of Ten Sports’ content.

The companies began services in Japan and other East Asian markets in December, 2006.

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DTH

Dish TV launches ‘Kuch chhota sa’ campaign for TV flexibilit

New campaign highlights 190+ channels, Always-On service, Rs 99 Freedom Pack.

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MUMBAI- Sometimes, the smallest remote click can fix the biggest daily friction and Dish TV is betting on exactly that insight. The company has rolled out a new campaign built around the thought ‘Kuch chhota sa karne par, life hogi behtar’, turning everyday viewing annoyances into a case for simpler, more reliable television access.

The campaign taps into a familiar household reality: millions of viewers continue to rely on free-to-air channels but increasingly want the flexibility of premium content, often ending up with a patchy and inconsistent viewing experience. Dish TV positions itself as the middle path—a structured yet flexible alternative that promises continuity without complexity. At its core is the pitch of an “Always-On” service, designed to keep content accessible even when recharge timelines slip, effectively reducing one of the most common friction points in DTH consumption.

To strengthen this proposition, the platform is offering access to over 190 channels, alongside a flexible pricing hook through its Freedom Pack, starting at Rs 99. The pack is positioned as a seasonal companion particularly relevant during high-engagement periods such as cricket tournaments, school holidays and festive windows, when content consumption spikes but users may not want long-term commitments.

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Conceptualised by Enormous, the campaign unfolds through two master films and three short edits rooted in slice-of-life storytelling. From a husband quietly navigating around his sleeping wife to siblings striking a compromise over a coveted window seat, the narratives lean into humour and relatability rather than heavy messaging. The underlying idea remains consistent: small adjustments can meaningfully improve everyday experiences.

The rollout spans a full 360-degree media mix, including television, digital platforms, on-ground activations, point-of-sale visibility, Google Display Network placements and influencer-led content, signalling a push for both scale and contextual engagement.

As viewing habits continue to evolve in a hybrid ecosystem of free and paid content, Dish TV’s latest play reflects a broader industry shift where reliability and flexibility are increasingly positioned as differentiators, not just add-ons. In a market crowded with choice, the brand’s wager is simple: sometimes, it’s the smallest tweak that keeps audiences tuned in.

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