iWorld
Original and exclusive content constitue Netflix’s entire US library
Mumbai: The number of original and exclusive titles in Netflix’s US catalogue accounted for more than 50 per cent of all available content for the first time in the company’s history in March 2022, according to a report.
Ampere’s Subscription Video on Demand (SVoD) tracking data indicates that there are now over 3,700 original-branded (i.e. original and exclusive) movies and TV seasons in the Netflix US library, which has consistently offered around 7,000 titles over the last three years.
Among the major SVoD platforms, Netflix is second only to the much smaller Apple TV+ in its focus on original-branded content. It’s far ahead of fellow longstanding streaming incumbents Amazon Prime Video (9 per cent) and Hulu (4 per cent).
Netflix’s original content investment reached $6.2 billion in 2021. Originals have been a major focus of Netflix’s content strategy. In September 2016, when originals and exclusives accounted for only 5 per cent of its US catalogue, the then CFO David Wells set a target of a 50/50 split between original and licensed titles within the next few years. This transition to the majority of original titles is a product of Netflix’s market-leading spending.
Content data shows that the group has outspent every other SVoD company on original content each year since 2013 and has consistently increased its yearly investment. Netflix’s original content spend peaked at $6.2 billion in 2021, more than double the next highest spender, Disney+, with $2.8 billion.
Netflix owns some of the most-watched SVoD content, including Bridgerton. Such investment has helped make Netflix a prominent distributor of popular content. Ampere’s proprietary Popularity score indicates that across Q1 2022, Netflix originals and exclusives accounted, on average, for 12 per cent of the 100 most popular titles available on SVoD in the US, the highest share of any SVoD platform.
Notable titles include the final season of crime series Ozark and the second season of period drama Bridgerton, which recently became the most-watched English-language TV series on Netflix.
Ampere Analysis analyst Joe Hall said, “Netflix’s increasing content self-sufficiency is necessary for today’s streaming market. The rise of studio-led direct-to-consumer platforms has led to a shrinking pool of licensable content as studios prefer to keep productions in-house. Original content also allows platforms to offer exclusive titles internationally without additional licensing costs. This is particularly important as Netflix sets its sight on acquiring more international subscribers to compensate for maturity in developed markets.”
75 percent of titles on Netflix will be original or exclusive by the end of 2024. Under current growth rates, Ampere estimates that 75 per cent of the movies and TV seasons available on Netflix will be either originals or exclusives by the end of 2024.
iWorld
Netflix launches Playground app to bring games and interactive play for kids
Interactive games, fresh series and returning favourites aim to blend play and learning
MUMBAI: Netflix is doubling down on kids entertainment with a major expansion of its family-friendly slate, anchored by the launch of Netflix Playground, a new interactive app designed to blend play with storytelling.
Aimed at children aged eight and under, the app allows young viewers to engage with familiar characters from shows like Peppa Pig and Sesame Street through games and activities, all within a safe, ad-free environment. The app is already live in select markets and is set for a wider global rollout later this month.
The move signals Netflix’s push to turn passive viewing into a more immersive experience. Alongside the app, the platform has unveiled a mix of new titles and returning favourites, including fresh episodes of Trash Truck and The Creature Cases, as well as a new preschool series, Young MacDonald. Popular titles such as CoComelon Lane and Ms. Rachel are also set to expand with new seasons and episodes.
Speaking about the strategy, Netflix vice president of animation series and kids and family tv John Derderian said, “We’re building a world where kids can not only watch their favourite stories, they can step inside them and interact with their favourite characters. We’re creating a seamless destination for discovery, learning, and play.”
The expanded offering also leans heavily on convenience for parents, with offline access, curated content, and robust parental controls designed to ensure a safe and tailored viewing experience. Features such as profile locks, content filters, and activity tracking aim to give families greater control while allowing children to explore independently.
The timing is strategic. Kids and preschool content has emerged as one of Netflix’s most-watched categories in recent years, making it a key battleground in the streaming wars. By combining games, education, and entertainment, the platform is looking to deepen engagement and build long-term loyalty among younger audiences.
With interactive play now joining its content arsenal, Netflix is not just streaming stories but inviting kids to step inside them, turning screen time into something a little more hands-on.
