iWorld
Netflix bets big on Bharat: Ted Sarandos touts $2bn impact, calls India the next Korea
MUMBAI: “Don’t globalise it. Localise it, then watch it fly.” That was Netflix co-CEO Ted Sarandos’ mantra to Indian creators at the government of India’s Waves Global Summit 2025, where he shared the stage with actor Saif Ali Khan in a high-wattage fireside chat titled Streaming the New India: Culture, Connectivity & Creative Capital.
Sarandos came bearing stats—and swagger. Netflix’s investments in India from 2021 to 2024, he revealed, have generated over $2 billion in economic impact, filming across 23 states and 100+ cities, and collaborating with over 25,000 local cast and crew. “That’s not just entertainment—it’s employment, infrastructure, and skill-building,” he said.
And the viewership numbers? Eye-watering. In 2024 alone, three billion+ hours of Indian content were streamed globally on Netflix—nearly 60 million hours a week. An Indian title made it to the global Top 10 non-English list every single week of the year.
Saif Ali Khan, now a veteran of both big screens and binge-worthy epics, waxed lyrical about the creative freedoms offered by streaming. “It’s a gift,” he said. “Long-form storytelling lets you explore characters with nuance and intimacy. Streaming is a creative playground—with no school bell ringing at the end.”
When asked how Indian creators can crack global markets, Sarandos dropped the algorithmic truth: “If you try to engineer something for the world, you end up making it for no one,” he warned. “The most successful global stories—Korea’s Squid Game, Spain’s Money Heist—were deeply local. India must do the same. If it’s not loved here, it won’t work out there.”
He didn’t mince words. “Don’t water it down for the west. Audiences don’t want diluted. They want real.”
According to Sarandos, India is teetering on the edge of a Squid Game-scale global breakout. “Korea had years of storytelling before its global moment,” he said. “India is now at that inflection point. The creative base is solid. The reach is already here.”
Netflix is doubling down on that bet, with buzzy upcoming titles like The Royals and The B*****s of Bollywood joining global juggernauts like Squid Game S2, Stranger Things, and Wednesday.
When asked if streaming would cannibalise cinemas, Sarandos played diplomat. “India is fan-first,” he said. “Theatres and streaming aren’t rivals—they’re tag-team partners.” Streaming, he added, simply meets audiences where they are. “In India, films move from theatre to streaming at record speed. That’s not disruption—that’s democratisation. India, in many ways, was ahead of the curve.”
iWorld
Rusk Media announces Battleground Season 2 on Amazon MX Player
Fitness reality show returns in April 2026 with bigger challenges and mentors.
MUMBAI: The arena is reopening and this time the competition promises even more sweat, strategy and spectacle. Rusk Media has confirmed the return of its fitness reality format Battleground for a second season, set to stream on Amazon MX Player from April 2026. The announcement follows the breakout success of the show’s debut season, which positioned itself as a high energy blend of sport, strategy and reality television. Season 1 brought together 16 contestants for a 28 day test of endurance and discipline, as aspiring athletes and fitness enthusiasts competed in physically demanding challenges and team based battles.
Divided into four teams, the participants trained under a panel of mentors drawn from the fitness and lifestyle space, with former Indian cricketer Shikhar Dhawan serving as the show’s Super Mentor.
The format quickly found an audience among digital viewers and was listed among the most binged titles on Amazon MX Player. The show also picked up industry recognition, winning the “Most Popular Non Fiction Show” honour at the IWMBuzz Digital Awards 2025.
The first season also drew a slate of brand partnerships, including Honda Bigwing, Charged, American Pistachio Growers, Bigmuscles Nutrition, Ritebite Max Protein, Plix and Sparsh CCTV, highlighting the show’s appeal to brands targeting India’s rapidly growing youth and fitness audience.
For Season 2, the producers say the format will evolve with tougher physical challenges, a sharper competitive structure and deeper mentor involvement while continuing to focus on discovering the next generation of Indian fitness personalities.
Rusk Media, chief executive officer and co founder Mayank Yadav said the first season proved the appetite for competitive fitness storytelling. “Battleground was always envisioned as more than a show. Season 1 demonstrated that there is a massive audience for aspirational fitness competition at scale. With Season 2 we are going even bigger in ambition, intensity and opportunities for contestants and partners,” he said.
Rusk Ads lead Rahul Arora added that the series has also evolved into a strong platform for brand integration and advertiser engagement. “Season 1 showed that Battleground is not just compelling content but a powerful brand ecosystem. As we move into Season 2, we are looking to deepen brand collaborations and build more integrated partnerships,” he said.
With a larger format, an expanding fan base and a new season set to arrive in April 2026, Battleground is positioning itself as one of India’s emerging fitness reality franchises in the digital entertainment space.
