Hindi
‘Happy New Year’ reaches Gulf & Latin American audience via iTunes
MUMBAI: After reaching out to millions of fans across the globe, Red Chillies Entertainments’ (RCE) film Happy New Year (HNY) has added another feather to its cap. The film has got the widest release ever on iTunes, which is a first for any Indian film. Directed by Farah Khan, HNY has become the first Bollywood film to premiere in iTunes Gulf region and in 16 Latin American countries.
RCE chief revenue officer Gaurav Verma said, “Technology has always helped in overcoming barriers, sometimes they are economical and sometime language. Riding on the reach of iTunes, we have been able to cater to audience in over 100 countries with regional subtitles who can now consume our movies on a swipe at their convenience. Theatrically, we reach out to 50-55 countries for a big film and digital platforms help us in expanding our reach as was the case with our earlier initiative Direct-To-Fan, which made the film available to a global audience.”
An action-packed musical heist, HNY was worldwide distributed by Yash Raj Films and stars Deepika Padukone, Shah Rukh Khan, Abhishek Bachchan, Boman Irani, Sonu Sood and Vivaan Shah. HNY was released in India on 24 October, 2014 and has been released theatrically, on D2F and on home video in many traditional and non-traditional markets since then. HNY also got the biggest release in China on their New Year weekend recently and will be available in German from 20 March on home video as well.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
