Hindi
Entries invited for IAAC New York Indian film fest
NEW DELHI: The New York Indian Film Festival has invited entries for their next edition to be held in May next year.
The films will be in four categories: fictional features which are above forty minutes, fictional shorts under forty minutes, documentaries of above 40 minutes and those that are below forty minutes. The Festival will be held from 1 to 5 May.
The Festival will feature Indian Diaspora Cinema with films that feature the work of Filmmakers, Actors, Writers, Directors of South Asian descent living outside the sub continent. This may include films made by Non-South Asians that feature significant South Asian content, inspiration, subject matter.
It will also have Indian independent cinema for films from the Indian subcontinent with a unique voice/message that may be labeled alternate, arthouse, reality, noir or independent cinema.
While the regular deadline is 24 December, films can also be accepted by 8 February.
A full list of acceptable film formats is available on Withoutabox and those unsure of whether their film is eligible for submission can write to nyindianfilmfest@gmail.com
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
