Hindi
‘Sholay’ is history!
MUMBAI: There was a time when the trend was to convert old black-and-white classics into colour format and re-release them. The trend did not last for obvious reasons. Converting normal films into 3D started in the US while in India doing so with Sholay will prove to be the ultimate test for Hindi films since it is a trendsetter – box office hit and a cult. If it works, it will open the floodgates of more such attempts and if it does not, it will put paid to all such aspirations. The original was written off during its initial few weeks of its release as a major failure but, finally, its technically better 70mm/stereophonic version turned the trend in its favour to make it what it became, a legend. Will this additional technical enhancement reactivate its box office account?
To refresh the memories on the story front, Sholay (1975) finds its roots in the all time classic, Akira Kurosawa’s Japanese film, Seven Samurai (1954), which was later adapted in Hollywood as The Magnificent Seven (1960). A farming village in Mexico hires seven gunmen from the US to protect them from a bunch of 40 bandits who raid them every year to take away their farm product. In Sholay, Sanjeev Kumar, an ex-policeman hires two petty goons, Dharmendra and AmitabhBachchan, known for their valour to save his villagers from a similar exploitation by the gang of Gabbar Singh, played by Amjad Khan. Though his first major break and his entry happening almost 75 minutes into the film, his character became a cult figure.
The film is an old fashioned three-and-a-half-hour-long one since in those days less than three hours made people feel cheated. And the film justifies its duration by giving many side actors of the time memorable roles and lines. Among them were Asrani (Angrezon ke zamane ka jailor), Mak Mohan (Sambha), AK Hangal (the blind Imaam of the village mosque), even Hema Malini’s tonga-pulling mare, Dhanno! The writers, Salim and Javed, who made the story/script writers respectable in the film industry, specialised in penning memorable dialogue and that is the reason that even though the film’s music track was not found to be popular and its albums were not in demand, the music company, Polydor India, minted on the release of the film’s dialogue tracks on LPs and cassettes.
If slotted, Sholay would fall in the category of dacoit film. Yet it was much different from other dacoit films, blending the past and contemporary movies of that era. The one memorable dacoit film before Sholay was a few years earlier, in 1971 in Mera Gaon Mera Desh followed by Khote Sikkay in 1974; the trend came to an end since no one could better Sholay and also because Sholay stayed in theatres for five long years. While these were all make-believe dacoit films, the real one came around in 1994, Bandit Queen.
How can one review a film made over 38 years ago and had tomes written about it?
As for this 3D version, it has been very economical with 3D scenes and not gone overboard. The 3D resolution is such that you may easily watch it without 3D glasses but the main 3D scenes would be missed; the few that the film has are not worth missing.
The opening response in the initial shows has not shown much enthusiasm by moviegoers and, if the trend continues through the weekend, this will be the epitaph for the legend of Sholay.
Producer: G P Sippy.
Director: Ramesh Sippy.
Cast: : Dharmendra, Sanjeev Kumar, Amitabh Bachchan, HemaMalini, Jaya Bhaduri, Amjad Khan, SatyenKappu, AK Hangal, Sachin, Jagdeep, Leela Mishra, Asrani, Keshto Mukherjee, Mak Mohan, VijuKhote, Iftekhar, in spl appearance Helen and Jalal Agha.
Disaster in making
Mr Joe B Carvalho collects a bunch of small time actors with a reputation for having done good comedy films once upon a time and thinks it has the formula! How about getting a scriptwriter with a sense of comedy, humour, repartees and how about a director who shares these traits too? The so called comic actors can do precious little without content. The imagination is so scarce, that in this film based in Bangaluru, all the characters happen to be Punjabi!
The film has no story as such so to narrate it is a task but, to put it in nutshell, like many such attempts it is about mistaken identities and a career loser, Arshad Warsi, who plays a detective. Now, how many times have we seen a fumbling, bumbling, detective before? Remembering Pink Panther at this moment will be sacrilege (though the poster design has certainly stolen from there).
Warsi, a detective, is handed a case by Shakti Kapoor, who wants to stop his daughter from marrying a cook with whom she has run away. On the other hand, Snehal Dabi, an Idi Amin caricature, has fallen in love with Geeta Basra while she loves some diamond merchant. So being Idi Amin-like, he gives out a supari (contract) on her beau to Carlos aka Javed Jaffery; may the real legendary international assassin Carlos rest in peace!
The comedy as well as the humour is just about nonexistent in this film. Casting is totally awry. The film credits four people for lyrics but not a single song makes sense (and they’re out of sync too). Arshad, Soha, Javed as well as the others are ineffective.
Mr Joe B Karvalho is a disaster waiting to happen soon as opens on its first Friday.
Producer: Bholaram Malviya, Shital Malviya.
Director: Samir Tewari.
Cast: : Arshad Warsi, Soha Ali Khan, Jaaved Jaaferi, Vijay Raaz, Shakti Kapoor, Vrajesh Hirjee, Geeta Basra, Karishma Kotak, Ranjeet, Himani Shivpuri, Manoj Joshi, Snehal Dabi, Chitra Shenoy.
Hindi
Jio Studios unveils AI-powered Krishna teaser at NAB Show 2026
Global first look of Krishna uses Galleri5 AI pipeline on Azure, Historyverse slate as Jio’s Dhurandhar crosses Rs 3,000cr worldwide.
MUMBAI: Krishna has just dropped a divine teaser and this time the gods are powered by silicon, not just scripture. Jio Studios and Collective Studios’ Historyverse stole the spotlight at the NAB Show 2026 in Las Vegas with the world’s first teaser for their upcoming theatrical feature Krishna, directed by Manu Anand. The big reveal happened during Microsoft’s keynote “Powering Intelligent Media, From AI Experimentation to Real-World Impact,” where the film’s AI-native production pipeline took centre stage alongside Collective Artists Network’s in-house platform, Galleri5.
At the heart of this mythological spectacle lies a fresh cinematic workflow built by Galleri5 on Microsoft Azure’s advanced AI and cloud infrastructure. Forget bolting AI onto traditional VFX or animation, this is an end-to-end, production-grade system woven into every layer: world-building, character creation, shot design and final output. Yet the storytelling remains firmly director-led, emphasising emotional depth, stillness, music and performance rather than pure spectacle. The result? Large-format theatrical cinema rooted in Indian history and culture, but conceived in ways that were simply not possible before.
Collective Artists Network runs Galleri5 natively on Azure, leveraging Microsoft Foundry and cutting-edge AI tools to handle film, episodic and advertising workflows in a secure enterprise environment. Microsoft highlighted Collective as a “Frontier” organisation successfully moving AI from pilot projects to real production-scale deployment in cinema. The technology is also on display at Microsoft’s NAB booth in the West Hall (Booth W1731).
Jio Studios (Media & Content Business, Reliance Industries), president Jyoti Deshpande said the project advances the studio’s mission to take Indian stories global with scale, ambition and authenticity, “With Krishna, we are embracing cutting-edge AI-led filmmaking while democratising these tools to make them more accessible, intuitive and cost-effective for storytellers everywhere.”
Collective Artists Network founder & group CEO Vijay Subramaniam added, “We’re using technology developed in India to carry our culture and history to audiences worldwide at a scale never seen before.”
Microsoft, vice president for telco media & entertainment, gaming Silvia Candiani noted that the media industry has reached an inflection point, “AI is no longer about experimentation but delivering real impact at production scale… By building AI-native creative systems on Microsoft Azure, Collective exemplifies how storytellers can unlock new formats, move faster and realise a true return on intelligence while keeping human creativity at the centre.”
Krishna forms part of Historyverse, Collective Studios’ ambitious slate of history and culture-driven IPs. The slate draws from iconic figures and traditions that shaped the Indian subcontinent, including stories inspired by Kali, Karna and Durga. It builds on the already-released Mahabharat: Ek Dharmayudh series, showing how ancient narratives can be reimagined for modern screens.
Jio Studios, India’s leading content studio and the media and content arm of Reliance Industries, continues its blockbuster run. The studio’s Dhurandhar franchise led by Dhurandhar and Dhurandhar: The Revenge has become the first Indian film series to cross Rs 3,000 crore worldwide. It also delivered three consecutive years of India’s highest-grossing Hindi films: Stree 2 (2024), Dhurandhar (2025) and Dhurandhar: The Revenge (2026). In just eight years, Jio Studios has assembled a library of over 160 films and series, with more than 60 titles winning over 500 awards. Other notable successes include Laapataa Ladies (India’s official Oscar entry 2025), Stree, Article 370, Shaitaan and Mrs.
The NAB unveiling marks another step in Jio Studios and Collective’s push to blend Indian storytelling talent with frontier technology proving that the future of cinema may well be both ancient in spirit and thoroughly modern in execution. For audiences who love epic tales with a fresh twist, Krishna promises to deliver divine drama, this time with a little help from the cloud.
