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Publicis to also look at inorganic growth to double rev in India by 2015: Naouri
MUMBAI: Publicis Groupe chief operating officer Jean-Yves Naouri has set himself a stiff target. The 53-year-old South African, tipped to take over as chief executive officer of the third largest communications group in the world after the retirement of Maurice Levy, is aiming at doubling the agency‘s growth in two of the fastest-growing ad economies of the world.
Naouri, however, feels that he can grow faster in China than in India. “We plan to double our size in China by 2013. And we are well on our way to doing that. In India, we will be able to double our size by 2015,” he tells Indiantelevision.com.
Faced with a slowdown in the matured ad economies of the world, Naouri needs to be aggressive in the other markets. “We are working towards two things. We are getting aggressive on digital. Our other focus is on the fast emerging markets. We have already trebled our size in Brazil,” he avers.
Naouri feels that there is a lot of potential in India and the time is not far when the world will see what this country is capable of. “Publicis surely will be there when this happens.”
Publicis has started shopping in India to strengthen its presence in a market that is led by WPP. The agency has made four acquisitions in India over the last one year, three of them being in the digital space. The first to be gobbled up was Indigo (April), followed three months later by Resultrix. The Paris-based media communications conglomerate has just announced two more acquisitions: digital marketing agency iStrat and marketing consultancy firm Marketgate.
“We are looking at both inoganic and organic growth in India. We see opportunities in acquisitions,” says Naouri.
But doesn’t he agree with WPP CEO Martin Sorrell’s recent comment about valuations in India being economically extravagant? “Maybe he is speaking for himself. We do not have exorbitant valuations. We are known for being very conservative. Despite not being the highest bidder on several occasions, we have been able to consummate deals just because they wanted to join us. So I do not concur with Sorrell’s assessment.”
Naouri also refuses to concur with the WPP boss’ assessment that India lacks self confidence. “I am very positive about India. And I feel that when you look at the potential and look at the talent, one should be excited with all the opportunities that India is showing.”
India’s sluggish GDP growth rate of 5.3 per cent does not dampen Naouri’s bullish view on India. “We do not hold a dismal sentiment. We are cautiously optimistic. When you look at the rest of the world, some countries would dream to have a five per cent growth. I am not saying that things are easy for everybody in India. But I would say it’s manageable,” he says.
Apart from investing in India, Publicis is also focussed on the growth of digital within its operations. The vision is to become a ‘Human Digital Company’. “We have said that digital and the fast growing markets like India, China and Brazil are the co-pillars of our future. And today if those two pillars are contributing 50 per cent of our revenues, our ambition is to take this up to 75 per cent,” explains Naouri.
Publicis’ strategy is to acquire local agencies and align them with its global agencies. This allows Publicis to service the clients of that geography efficiently.
“What is interesting is that we are starting to see the potential to work not only with local Indian clients, but also with Indian companies that have a global ambition. We are extremely excited at this opportunity to work with such clients. We look forward to a time when Leo Burnett and Indigo or Publicis Worldwide and iStrat can partner with and deliver outstanding work for such Indian companies,” says Naouri.
Publicis is also bullish on e-commerce. The company recently entered into a partnership with IBM’s Smarter Commerce Initiative through its consulting-centered interactive agency Rosetta. The partnership combines Publicis Groupe’s deep experience in consumer insights, technology and building a broad eCommerce ecosystem around transactions with IBM’s technology, expertise and business process innovation to serve the needs of today’s Chief Marketing Officers (CMOs) and Chief Information Officers (CIOs) who want to align their organisations and purchase decisions around integrated content and commerce.
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Lessons from global media markets on building enduring content franchises
Rose Audio Visuals COO and CFO Mitesh Patel.
MUMBAI: The global media landscape has undergone a fundamental shift. Success today is no longer defined by a single hit show. It is defined by the ability to build intellectual property (IP) that travels, evolves, and compounds over time.
At Rose Audio Visuals, this shift is central to how we think about content pitching and creation. We are no longer in the business of just making shows. We are in the business of building IP ecosystems.
From Hits to Franchises
Globally, the most successful content is designed to extend beyond its first outing. It travels across: Seasons, Platforms (TV → OTT → Digital), Formats (series → spin-offs) Shows like Stranger Things and Money Heist are not just successful series they are multi-layered franchises with global recall, fan engagement, and long-term monetisation. The key learning is simple: If content cannot scale beyond one season or one platform, it remains a project not a franchise.
Local Stories, Global Impact
One of the most powerful global trends is the rise of culturally rooted storytelling. Platforms today reward local authenticity combined with universal emotion. Stories that are deeply regional are no longer limited by geography they are amplified by it. Consider the global impact of Squid Game or India’s own Sacred Games. The takeaway is clear: The more authentic the story, the greater its potential to travel if the emotion resonates universally.
Monetisation Begins After the First Window
A critical global learning is that the true value of content is not realised at launch, it is realised over time.
Strong franchises unlock multiple revenue streams: Licensing, International remakes, Brand integrations, Digital extensions , Events and immersive experiences
Global players like The Walt Disney Company have mastered this approach, turning content into long-term ecosystems that extend far beyond the screen.
The first window is just the beginning. The real value lies in what follows.
At Rose Audio Visuals, we increasingly evaluate projects not just on commissioning value, but on their long-term franchise potential.
The Rise of Creator-Led Franchises
An important global shift is the emergence of creator-led IP ecosystems.
Creators today are not just content producers they are building full-scale franchises across platforms, formats, and businesses.
A powerful example is MrBeast. What started as YouTube videos has evolved into: Multiple content formats, Global audience scale , Brand extensions and businesses, High-impact experiential content This is a fundamentally different model digital-first, audience-owned, and infinitely scalable.
This model is still in its early stages in Indian but it represents a massive opportunity.
The next wave of Indian content franchises may not come from traditional studios alone but from creators who think like media companies.
Balancing Data with Creative Instinct
Streaming platforms today are deeply data-driven. Data helps Identify emerging genres, Predict audience behaviour , Inform commissioning decisions However, global experience shows that data alone does not create hits. Data informs scale, but storytelling creates impact.
Talent is the Foundation of Franchises
Enduring franchises are rarely accidental they are built through long-term creative partnerships. Globally, there is a clear focus on nurturing Actors, Writter, Show runner and director. Franchises are not built on scripts alone they are built on creators. This is an area where we continue to invest deeply building long-term relationships with talent rather than project-based collaborations.
Multi-Platform Thinking from Day One
Content consumption today is inherently multi-platform. A successful show must be designed not just for its primary platform, but for: Short-form extensions, Social media amplification, Digital-first engagement. Every show today needs a second life beyond its original format.
India: A Market at an Inflection Point
India today stands at a unique moment in its content journey.
We are seeing significant opportunity in Regional markets (Telugu, Tamil, Marathi and others) Emerging formats such as micro-dramas, Scalable, franchise-driven fiction IP
India does not lack stories. What we have historically lacked is structured franchise thinking something that is now beginning to evolve.
The Way Forward
The biggest lesson from global markets is this: The future belongs to companies that do not chase hits, but systematically build franchises. Because while hits may deliver immediate success, franchises create long-term value, recall, and compounding growth.
At Rose Audio Visuals, this belief shapes how we develop, greenlight, and scale content across platforms.
For content companies today, the question is no longer “Will this show work?” It is: “Can this become a franchise?”
A Personal Note
Having worked across content, business, and strategy, one thing has become increasingly clear to me, the most valuable companies in our industry will not be those that create the most content, but those that create content that endures.
Building a franchise requires patience, conviction, and a long-term lens something that the industry is only now beginning to fully embrace.As we continue this journey at Rose Audio Visuals, our focus remains simple: to move from volume-driven creation to value-driven storytelling. Because in the end, stories may start conversations but franchises build legacies.
