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IPL season 5 sees drop in ratings and TV ad rev
MUMBAI: The drop in IPL ratings and inability to protect advertising rates has put Multi Screen Media (MSM), the broadcast rights holder, under pressure to take stock of the situation.
The sixth edition of the IPL next year might be even more challenging for MSM as the television viewership for Indian Premier League has refused to go up despite several close encounters and record turnout at the stadium. When the IPL season began this year, Max had just six sponsors who had come on board at last year’s rate of Rs 500,000 per 10 second spot with Karbonn Mobiles being the only addition to the roster.
However, the drop in viewership has led advertisers to ask for a cut in rates. Parle had reportedly bought ad spots for its new cookie brand, Happy Happy, at a 25 per cent discount over the premium of Rs 500,000.
Even late joiners have cut deals at rates that are lower than last year‘s, implying that they are not disturbed advertising on the IPL despite a ratings fall. The sponsors who came on board have also benefited as they got a clutter-free exposure.
Says Reliance Communications head marketing and branding Sanjay Behl, “There was no premium on ad rates for the IPL this year. We are happy with the RoI that we have got on our investment, although there has been an 8-10 per cent reduction in ratings. We had discounted ratings by 20 per cent before making our media plan.”
The company had bought spots to promote Google-endorsed Android smartphone which is being distributed exclusively in India by RComm.
The average viewership of the tournament is 3.27 TVR for 68 matches compared to 3.39 TVR last year, as per Tam data for C&S 4+ All India market. The cumulative reach is 159 million for the current season, less than the 160 million last year.
For the first 57 matches, the average viewership stands at 3.3 TVR while the first 46 matches had notched up 3.4 TVR. The expectation was that the ratings would pick up as the tournament progresses but that has not been the case.
“We will sit down once the event is over and analyse why the viewership has fallen. However, the event has more or less held up compared to last year. It has been the 4 pm matches whose ratings got affected,” says MSM president network sales, licensing and telephony Rohit Gupta. He, however, refuses to give any details about the ad inventory consumption.
MSM has used a chunk of the ad inventory to promote its sister channels including Sony Six, the newly launched sports entertainment channel. The strategy is not to let the rates fall deep as MSM holds the IPL rights till 2017.
Industry estimates place MSM‘s ad revenue from this season of the IPL at somewhere in the range of Rs 7-7.5 billion. In the previous edition, the IPL had fetched MSM Rs 9 billion from advertising. Gupta did not want to talk about the financials at all.
According to a top level executive at a leading media buying agency, the IPL ad rates decreased by 10-15 per cent over the last year and the spot rates remained flat at Rs 425,000-450,000 per 10 second spot.
Another media buyer estimates the broadcaster to earn upwards of Rs 7 billion as it has managed to sell its inventory as the tournament progressed.
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Barista partners Ginny Weds Sunny 2 with mango campaign
Cafe chain blends cinema buzz with summer menu and 20 per cent offer.
MUMBAI: Love may brew slowly, but marketing clearly doesn’t especially when coffee meets cinema and mangoes steal the spotlight. Barista Coffee Company has partnered with the upcoming hindi film Ginny Weds Sunny 2 as its official beverage partner, in a move aimed at tapping into youth culture through entertainment-led engagement. The collaboration is not just a logo placement exercise. Instead, Barista is translating the film’s high-energy vibe into its cafés with a themed summer menu titled “Main Hoon Mango”, accompanied by a limited-period 20 per cent discount on combo offerings across outlets.
Actors Medha Shankr and Avinash Tiwary feature in the campaign, seen engaging with the mango-themed menu inside Barista cafés, a visual cue designed to blur the lines between reel and real-life consumption moments.
The strategy reflects a broader shift in how consumer brands are leveraging hindi film industry not just for visibility, but for immersive, on-ground engagement. By embedding the film’s narrative into its product experience, Barista is aiming to drive footfall, especially among younger audiences who increasingly seek experiential touchpoints over traditional advertising.
Barista Coffee Company CEO Rajat Agrawal described the partnership as both a branding and growth play, focused on expanding reach beyond the existing customer base and aligning with evolving consumer preferences.
The emphasis on a seasonal, flavour-led hook mango, one of India’s most culturally resonant ingredients adds a timely layer to the campaign, aligning with summer consumption trends while riding on the film’s promotional momentum.
For Barista, the move is part of a larger positioning shift. Rather than operating purely as a coffee retail chain, the brand is increasingly framing itself as a lifestyle destination, one that intersects with entertainment, conversation and shared experiences. By integrating cinema into its physical spaces, Barista is effectively turning cafés into micro-extensions of the film’s universe, where consumers do not just watch a story unfold but participate in it sip by sip.
The 20 per cent offer further nudges trial, lowering the barrier for consumers to engage with the themed menu while amplifying recall through a tangible incentive.
Brand-film collaborations are hardly new, but their execution is evolving. Where earlier partnerships relied on co-branded ads or product placements, the current playbook leans towards immersive storytelling and retail integration.
In that sense, Barista’s “Main Hoon Mango” push is less about promotion and more about participation inviting consumers to experience a slice of the film within a familiar, everyday setting. As the film industry continues to act as a cultural amplifier, such partnerships underline a growing truth, in today’s attention economy, it is not enough to be seen brands must be experienced.
And if that experience comes with a mango twist and a cinematic backdrop, all the better.
