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Branquila takes flight as it lands in the UAE with full brand arsenal

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MUMBAI: From building brands to breaking boundaries, Branquila is now boarding in the UAE. Branquila Brand Ventures, the creative brand management agency founded by Sandeep Dahiya in 2022, is charting international territory. The firm has officially launched operations in the UAE, bringing its full suite of brand-building offerings to one of the world’s fastest-growing business hubs.

With services spanning brand positioning, creative execution, PR, social media, SEO, performance marketing, and licensing, Branquila isn’t arriving with baby steps, it’s jumping into the Emirates with both boots on.

Best known for driving mandates for marquee Indian names like Endemol Shine India, Banijay Asia, Abundantia Entertainment, Madame Fashion, and Genes Lecoanet Hemant, Branquila now aims to replicate that impact in a market buzzing with entrepreneurial energy.

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“The UAE is brimming with ambition and ideas, it’s the perfect launchpad for our next chapter,” said Branquila Brand founder & CEO Ventures Dahiya. “With our core promise of making brands work for business, we’re excited to help UAE-based businesses scale, stretch, and stand out.”

Adding firepower to the firm’s expansion is its newly announced advisory board, Brandwidth, a brain trust of industry veterans including Raj Nayak, Rajesh Kamat, Vishal Chaddha, Sudha Sarin, Jaydeep Shetty, and Anand Kumar. The council will help shape Branquila’s growth playbook while providing strategic insight to partners across sectors.

As D2C, fashion, entertainment, and media brands look to break the clutter in the Gulf, Branquila is betting big that creativity with a little hustle travels well.

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Brands

Godrej clarifies ‘GI’ identifier after logo similarity debate

Says GI is not a logo, will not replace Godrej signature across products.

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MUMBAI: In a branding storm where shapes did the talking, Godrej is now spelling things out. Godrej Industries Group (GIG) has issued a clarification on its newly introduced ‘GI’ identifier, addressing questions around its purpose and design following a wave of online criticism. At the centre of the debate were two concerns: whether the new mark replaces the long-standing Godrej logo, and whether its geometric design mirrors other corporate identities.

The company has drawn a clear line. The Godrej signature logo, it said, remains unchanged and continues to be the sole logo across all consumer-facing products and services. The ‘GI’ mark, by contrast, is not a logo but a corporate group identifier intended for use alongside the Godrej signature or company name, and aimed at stakeholders such as investors, media and talent rather than consumers.

The need for such a distinction stems from the 2024 restructuring of the broader Godrej Group into two separate business entities. With both continuing to operate under the same Godrej name and signature, the identifier is positioned as a way to differentiate the Godrej Industries Group at a corporate level.

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The rollout, however, triggered a broader conversation on design originality. Critics pointed to similarities between the GI mark’s geometric composition and logos used by companies globally, raising questions about distinctiveness.

Responding to this, GIG said its intellectual property and legal review found that such overlaps are common in minimalist, geometry-led design systems. Basic forms such as circles and rectangles appear across dozens of brand identities worldwide, the company noted.

It added that the identifier emerged from an extensive design process and was chosen for its simplicity, allowing it to sit alongside the Godrej signature without competing visually. While acknowledging that elemental shapes may appear less distinctive in isolation, the group emphasised that the mark is part of a broader identity system that includes a custom typeface, sonic branding and other proprietary elements.

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Following legal and ethical assessments, the company said it found no impediment to using the identifier, reiterating that the GI mark is a corporate tool not a consumer-facing symbol.

In short, the logo isn’t changing but the conversation around it certainly has.

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