iWorld
Schmooze launches AI matchmaker Riya to personalise dating
300,000 users try feature as retention doubles on Gen Z dating app.
MUMBAI: Love might be blind, but now it’s also algorithmically curated and apparently quite chatty. Schmooze has introduced an AI-powered personal matchmaker named Riya, marking its latest push to move beyond swipe-led dating into deeper, personality-driven matchmaking. Unlike traditional matching systems, Riya interacts directly with users through conversations asking about everything from lifestyle and humour to relationship goals and family values. The idea is simple but ambitious: understand users beyond surface-level preferences and recommend matches that actually fit.
The feature builds on a pattern Schmooze had already observed. Its earlier AI tool, People Finder, allowed users to describe their ideal partner in detail and users did exactly that. Requests ranged from “an extrovert who works in tech and likes to cook” to hyper-specific traits, signalling a clear shift towards intent-driven dating.
That insight exposed a gap. While dating apps typically rely on probability-based algorithms, many users already know what they want they just lack a system that can interpret it meaningfully.
Riya attempts to fill that gap using a conversational approach. Instead of rigid inputs, it gathers signals organically sometimes through casual questions about weekend plans or social habits while mapping deeper compatibility markers in the background.
To support this, Schmooze has built its own end-to-end voice AI stack and large language model, rather than relying on third-party systems. The move is aimed at keeping costs in check while handling scale, and ensuring tighter control over user data and privacy.
The early numbers suggest traction. More than 300,000 users have already interacted with Riya, with those users showing 2× higher retention compared to others on the platform. While the system is designed for short interactions, some users are spending up to 40–50 minutes in conversation occasionally even asking for date ideas, prompting the company to add personalised recommendations.
The launch is the latest step in Schmooze’s broader attempt to rethink dating for Gen Z. Founded by Vidya Madhavan and Abhinav Anurag, the platform initially stood out by using memes as a proxy for personality tracking over 3.5 billion meme swipes across its base of more than 5 million users.
In a market dominated by global players like Tinder, Bumble and Hinge, Schmooze’s approach signals a shift from visual-first discovery to interaction-led compatibility. And with AI now stepping in as a digital wingman, the dating game may be moving from swipe right to speak right.
iWorld
Warner Chappell Music launches India ops, Jay Mehta to lead unit
WMG shifts to direct model, unifying publishing and recorded music
MUMBAI: Warner Chappell Music has officially launched direct operations in India, marking a strategic shift by parent Warner Music Group to deepen its presence in one of the world’s fastest-growing music markets.
The move replaces the company’s earlier sub-publishing model with a full-fledged, on-ground operation, aimed at giving Indian songwriters stronger access to global networks, rights management tools, and creative infrastructure.
To lead the push, Jay Mehta has been handed an expanded mandate. Already serving as managing director of Warner Music India, Mehta will now oversee both recorded music and publishing across India and neighbouring South Asian markets, effectively bringing the two sides of the business under one roof.
The unified structure is designed to streamline how artists and songwriters work with the company, offering a more integrated ecosystem that spans compositions, recordings, and global distribution.
Warner Music Group managing director, recorded music and publishing, India and SAARC Jay Mehta said, “India’s songwriters are world-class, constantly redefining genres and pushing creative boundaries. By establishing a direct footprint for Warner Chappell, we’re bridging the gap between local brilliance and global opportunity.”
The timing is no coincidence. According to CISAC, creator collections in India jumped 42 per cent year-on-year to Rs 7 billion in 2024, while IFPI ranks India as the 15th largest recorded music market globally. At the same time, the industry is undergoing a structural shift, with independent and non-film music gaining ground over traditional Bollywood soundtracks.
Warner’s bet is that a direct presence will help it capture this changing dynamic. The company is also offering India-based creators access to its proprietary tools, including AI-powered royalty matching systems and real-time analytics platforms, aimed at improving transparency and earnings visibility.
Warner Chappell Music co-chair and CEO Guy Moot said the move is about shaping a publishing ecosystem that “works for creators and ensures their music is heard, protected, and rewarded everywhere.”
Meanwhile, Warner Music Group CEO Robert Kyncl underlined India’s importance to the company’s global strategy, noting that the new structure creates a “unified powerhouse” for both creators and audiences.
With local studios, global reach, and tighter integration across its business lines, Warner is clearly doubling down on India. And as streaming habits evolve and independent music rises, the company is positioning itself to be not just a participant, but a key architect of the country’s next music chapter.
