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Netflix & Gobelins expect big things from young Indian brains in animation industry

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NEW DELHI : Animation and visual effects have become an integral part of storytelling in films, and it is practically impossible to think about a movie without special effects and computer graphics. In an attempt to find and nurture young Indian brains in the animation industry, OTT giant Netflix, in association with Gobelins and Amity School of Film and Drama conducted a 'visual storytelling' animation course from 15 to 19 March 2021. 

The animation course helped participants to understand the art of storytelling using images, and the program indicated that India is soon going to become the powerhouse of the animation and VFX industry in the future. 

Most participants in the course were graduates and teachers from famed animation schools in the country. 

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During the session, students were introduced to storyboarding and animation principles. Some of the activities included sessions on animation principles, storytelling fundamentals, character design, storyboards, and gesture design. There were guest lectures by expert animation studio heads including Guillaume Dousse (Sun Creature) and Anish Mulani (Fractal Picture). The group also heard from Green Gold Animation founder Rajiv Chilaka, who created Netflix’s beloved preschool hit series Mighty Little Bheem. 

Students also received personalised coaching from faculty, helping them develop personal projects for formats across film, television, and animation. As OTT giants like Netflix and institutions like Gobelins L'école de L'image are concentrating on India to pick impeccable talents, experts believe that it could celebrate India’s storytelling culture and help bring more of it to the world. 

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iWorld

Prime Video bets big on India with global originals, films and franchise expansion

Execs highlight scale, travelability and new IP bets as India anchors global strategy

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MUMBAI: At Prime Video Presents 2026, the message was clear and confident. India is not just part of the plan, it is central to it.

In a lively fireside chat hosted by filmmaker Karan Johar, Kelly Day, vice president of prime video and amazon mgm studios international, Nicole Clemens, vice president of international originals, and Gaurav Gandhi, vice president for Apac and Anz, laid out an ambitious roadmap. Think bigger stories, wider reach and a sharper focus on building franchises that travel.

Kelly Day, a regular visitor to India, set the tone early. Calling the country “one of the most important markets globally”, she pointed to the sheer scale and diversity of audiences as a driving force behind Prime Video’s growth. Indian Originals, she said, are not just local hits but global engines powering subscriptions and engagement.

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That global appeal is already visible. According to Clemens, around 25 percent of viewership for Indian content now comes from outside the country. Shows rooted deeply in local culture are finding fans worldwide, proving that specificity, when paired with universal themes, travels well. From gritty dramas to sharp thrillers, Indian storytelling is increasingly crossing borders with ease.

Clemens, who joined recently to lead international originals, was particularly upbeat about India’s creative range. She highlighted a growing slate of over 100 shows in development and production, with more than 60 percent returning for multiple seasons. For her, the formula is simple. Authentic stories, told well, resonate everywhere.

Adding to the buzz, she teased new and returning titles, alongside a fresh superhero universe, the Kalyug Warriors. It signals a push into new genres while doubling down on familiar fan favourites.

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If content is king, distribution is the clever courtier. Day outlined Prime Video’s layered business model in India, which blends subscription, rentals, add on channels and ad supported viewing through Amazon MX Player. The idea is straightforward. Give viewers choice, whether they want premium, free or pay per view.

India, she noted, has also become a testing ground for innovation. Tiered pricing, mobile only plans and language diversity have all been sharpened here before being exported to other markets. In many ways, the India playbook is now influencing global strategy.

For Gaurav Gandhi, the next chapter is about scale with intent. He outlined four priorities. Making Prime Video more accessible, pushing Indian content globally, building stronger franchises and supercharging the films business.

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On films, the platform is moving beyond licensing into co productions and now theatrical releases in partnership with amazon mgm studios. These films will eventually stream on Prime Video, creating a full circle from cinema halls to living rooms across 240 countries.

Franchise building remains another key pillar. With hits like The Family Man, Mirzapur and Panchayat already enjoying multi season success, the focus is now on creating the next wave of enduring IP. Newer titles are already lining up for second seasons, signalling a steady pipeline.

What stood out through the conversation was a shared belief. Streaming in India is still in its early innings, and the runway is long. With a mix of local flavour and global ambition, Prime Video is betting that stories from India will not just stay at home, but travel far and wide.

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Or as the executives seemed to suggest, the world is watching and India has plenty more to show.

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