Hindi
ZEE5 Original ‘Despatch’ shines at MAMI Film Festival 2024
Mumbai: ZEE5 announced the successful showcase of its original movie Despatch, starring Manoj Bajpayee, at the MAMI Film Festival 2024. The Gala Premiere on 19 October received positive feedback, highlighting the film’s exploration of the darker side of journalism and the ethical challenges reporters face. A panel discussion followed the screening, delving into the filmmaking process and themes like truth, power, and responsibility in media.
Directed by Kanu Behl, Despatch blends suspense with a moral inquiry into media dynamics. Manoj Bajpayee’s portrayal of a crime reporter grappling with professional and personal ethics stands out, supported by performances from Shahana Goswami and Archita Agarwal.
ZEE5 India chief business officer Manish Kalra stated, “We are thrilled by the overwhelming response that Despatch received at the MAMI Film Festival. This success highlights ZEE5’s commitment to bringing original content that not only entertains but also sparks meaningful dialogue. Cinema’s power to connect through compelling storytelling is at the heart of what we do, and Despatch is a perfect example. Manoj Bajpayee’s outstanding performance, combined with Kanu Behl’s direction, has made this project one we’re incredibly proud of. We look forward to bringing this impactful film to a wider audience as we continue to push boundaries in content creation.”
An RSVP spokesperson said, “Despatch is a gripping exploration of the dark side of crime journalism and the moral dilemmas it brings. We are beyond proud of the response it received at the MAMI Festival. Partnering with MAMI has given Despatch the perfect platform to debut, and we are excited for its journey ahead as it reaches a wider audience on ZEE5. We believe this narrative dives deep into the human condition, and we’re thrilled to see it resonate with such a discerning audience.”
Behl said, “Directing Despatch has been an incredible experience, and I am immensely grateful to have had Manoj Bajpayee bring our vision to life with his remarkable performance. His ability to embody the complexities of the character adds incredible depth to the storytelling, allowing audiences to truly connect with the narrative. Screening at the MAMI Festival has been a wonderful opportunity to share this powerful story, and I can’t wait for viewers to experience the movie in its entirety when it premieres on ZEE5.”
The screening of Despatch at MAMI reinforces ZEE5’s position as a platform for diverse, high-quality storytelling that tackles important societal issues. As part of ZEE5’s focus on impactful content, *Despatch* has gained attention for its portrayal of power, information, and ethics in journalism. With its suspenseful plot and Manoj Bajpayee’s strong performance, the film adds to ZEE5’s growing slate of socially relevant original content.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
