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BroadcastAsia2015 Unveils New TV Everywhere! Zone

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MUMBAI: BroadcastAsia2015, slated for 2 – 5 June 2015 will unveil its new TV Everywhere! Zone as increasing consumer expectations place new challenges on the industry to provide more convenient and reliable access to content. With the  proliferation  of  digital  devices  and  today’s  ever-changing  market  of  always-on connectivity, content broadcasters are starting to look beyond TV to stream and monetise their content.

 

This brings the launch of the new zone, which will be a key attraction at BroadcastAsia2015 and will explore the entire value chain of non-linear broadcasting.

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Need for new technologies driven by shift in consumer demands

 

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Recent years have witnessed a dramatic increase in competition in the broadcast industry as providers continue to develop new technologies in meeting consumer demands, to offer a social,  personalised  and flexible TV and video experience. With the evolution of  linear channel brands already underway in Asia, the region continues to grow at an exponential rate and is witnessing an increasing number of traditional broadcasters entering the IPTV, OTT space. This is also emphasised by the growth and influence of aggregated services, such as Netflix, Hulu, AmazonPrime, YouTube and Apple TV.

 

The recent Multiscreen TV & Video Forecasts report published by Digital TV Research reveals that the number of viewers watching TV and video content on multiple screens will climb from 5.60 billion in 2010 to 11.32 billion by 2020, with TV sets’ share of total viewers falling from 73 per cent to 42 per cent during this same period.

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The report also predicts that by 2020, 3.98 billion people will watch content via a PC or laptop over a fixed broadband connection, an increase of 80 per cent on 2013; and smartphones viewers will reach 1.53 billion, triple the number in 2013. Tablet viewers will amount to 1.10 billion by 2020, an impressive five times the 2013 total.

 

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“There is continuous interest in the broadcast industry especially in the areas of OTT, second screen, non-linear broadcasting and social media – all to meet consumers’ demands and enhance users’ experience. BroadcastAsia is already fuelling this space in Asia and with the introduction of our new TV Everywhere!, we hope to bring together even more case studies on how new entrants are adapting to competition, and how incumbents are maturing their  offerings  to  differentiate  themselves  amongst  competitors,”  says  Mr.  Calvin  Koh, Assistant Project Director of BroadcastAsia, from organiser  Singapore Exhibition Services.

International collaboration

Regional broadcasting regulators play a vital role in helping to shape the future of the industry, as highlighted by the support shown from the Asia-Pacific Broadcasting Union (ABU), the International Telecommunication Union (ITU), and the National Broadcasting and Telecommunications Commission of Thailand (NBTC). This symposium initiated and jointly implemented an initiative aimed at studying the trends and market analysis in the broadcasting industry while promoting international cooperation among policy makers, regulators, and Asia’s industry players.

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Healthy industry response to new feature area

With the opportunity to reach key buyers from the industry, confirmed participants include major players from across the world and region, such as Ali Corp, Aveco, Brightcove, Montage Tech, Quick Play, SPB TV and Vimond among others. TV Everywhere! will place a
focus on the following technologies:

 

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• Authentication
• Archive Management
• Content Delivery Network
• Connected / Hybrid TV
 

• Delivery
• Integration
• Ingest
• Interactive TV Apps
 
• Monetisation
• Network & Device Management
• Playout Automation
• Storage / Security
• Workflow Glue Application
 

“Clearly the media industry is in transformation with consumers being able to access content across multi-screens, fuelling unprecedented demand for online video content. The investments being made in bringing TV Everywhere solutions to market is a strong sign that broadcasters and content owners are moving up the adoption curve,” says  Mr. Dennis Rose, Senior Vice President, Asia-Pacific and Japan, Brightcove.

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“For those who want to launch and capitalise the TV Everywhere business model, Brightcove’s powerful suite of cloud based online video streaming, trans-coding and monetisation solutions deliver compelling consumer experiences that work across every screen,” he adds.

 

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BroadcastAsia2015, Asia’s definitive exhibition and knowledge platform for the international broadcasting, film and digital multimedia industry, will showcase the newest innovations and cutting edge technologies in 4K / UHD, NextGen Broadcasting – OTT / Hybrid / LTE / IP / Broadband / Cloud, Multi-Platform Streaming, Professional Audio and more.

 

The BroadcastAsia2015 International Conference and Creative Content Production Conference 2015 will bring together thought leaders and like-minded professionals from the broadcasting and media arenas to share business strategies for future broadcasting and content production.

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Both   exhibition   and   conferences   will   be   held   alongside   CommunicAsia2015   and EnterpriseIT2015 in Singapore at the Marina Bay Sands.

 

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News Broadcasting

Newsrooms rethink AI, trust and revenue models

Editors and tech leaders debate tools, deepfakes and viability.

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MUMBAI: If yesterday’s newsroom ran on caffeine and chaos, tomorrow’s may well run on code but with a human still holding the pen. At the 22nd edition of the Video Broadcast and Broadband Tech Summit hosted by IndianTelevision.com, some of the sharpest minds in Indian media gathered to examine how artificial intelligence, automation and shifting audience behaviour are reshaping journalism. The session, titled The Newsroom of Tomorrow Tools, Trust, and Business Viability In Focus, did not descend into techno-utopian hype. Instead, it wrestled with a more uncomfortable question: how do you stay relevant, credible and profitable when the audience is changing faster than the headline cycle?

The panel featured Govindraj Ethiraj, Editor of The Core, Dr Nilesh Khare, COO of Sakal Media Group; Prakaran Tiwari, Chief Executive Producer at NDTV Profit; Manoj Padmanabhan, Head of Business Media and Entertainment at AWS; Neeraj Mishra, Key Account Manager at Vizrt and session chair; and Mayuresh Konnur, Bilingual Correspondent at Collective Newsroom, publisher for BBC in India.

Govindraj Ethiraj set the tone with a frank assessment. “The reason people do not consume as much news through us is because they are consuming news through other sources they trust more,” he said. In a fragmented ecosystem flooded with content, trust has become the real differentiator.

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Yet AI is undeniably transforming workflows. Ethiraj admitted he now uses AI tools to proofread his own articles. “Sometimes it is scary how much it picks, but it helps,” he said. What once required layers of sub-editing can now be assisted by machines trained to flag errors, inconsistencies and structural weaknesses.

He pointed to how newsroom roles have evolved. The desk editor, widely advertised over the last 15 years, barely existed in its current form before the internet boom. As digital publishing accelerated, tasks such as curating listicles, ranking stories and optimising headlines became specialised functions. Now, many of those responsibilities can be performed or at least supported by AI systems. The disruption is not hypothetical; it is operational.

Dr Nilesh Khare approached the issue from both a business and technological standpoint. Sakal Media Group is developing its own large language model, built on 60 years of text and photo archives. The goal is independence. “We won’t need to depend on other platforms to develop ours,” he said, underscoring the strategic value of proprietary data.

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For Khare, AI represents opportunity as much as anxiety. It can help expand content across geographies and languages, particularly in bridging North and South Indian markets. It can streamline production and reduce costs. He did not shy away from the implications. “As a journalist I feel bad but as a content producer I feel good that we will require less manpower,” he said, articulating a tension many in the room recognised but few openly admit.

He also highlighted how audience behaviour is evolving. Today, a retail investor can follow a stock using Gemini or GPT instead of toggling between multiple news channels. News is no longer consumed linearly; it is queried, personalised and synthesised. The newsroom must therefore produce content that survives not just on screens but within AI-generated summaries.

Prakaran Tiwari offered a more philosophical reflection. “AI has developed itself and adapted on the basis of how news is consumed. It’s all about giving a perspective,” he said. In his view, the competitive edge will not lie in speed alone but in interpretation. Facts are increasingly commoditised; context is not.

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He also suggested that formats are fluid. While short-form video dominates social feeds, long-form audio is resurging. Govindraj Ethiraj noted that in the United States the 2024 election was described as the “podcast election”, reflecting how audiences are investing time in deeper, long-form discussions. The newsroom of tomorrow must cater to both scrolling and sustained listening.

Manoj Padmanabhan of AWS reframed the debate. Technology, he argued, is not an existential threat but an amplifier. “The power is given to the human journalist with all this technology in their hand, with it acting as a support or assistant to deliver the correct and relevant news to the people,” he said.

The traditional divide between a “normal” newsroom and a “digital” newsroom is fading. “It will not be two newsrooms,” he said. “It will be one newsroom.” In that integrated environment, the storyteller remains central. AI may assist with research, editing and distribution, but editorial judgement remains human.

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Neeraj Mishra of Vizrt echoed the assistive narrative. India, he said, is a market of organised chaos, where news broadcasters are pushing ever-increasing volumes of content. AI will help manage scale. It is not here to replace people but to assist them.

Production barriers are already collapsing. “You don’t need a green screen to produce content now,” Mishra observed, hinting at virtual production tools and real-time rendering technologies. And this, he said, is only the beginning. In a cost-conscious market like India, AI adoption in both B to B and B to C segments is likely to rise sharply. The skills are available, he argued, the real question is whether organisations are willing to invest.

If opportunity was one half of the conversation, risk was the other. Mayuresh Konnur warned that fake news is now being peddled with alarming ease using AI tools. Deepfakes, synthetic audio and fabricated visuals can damage credibility overnight. Several journalists, he said, have already faced instances where manipulated content was circulated in their name.

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“Eventually it becomes a question of how authentic you are in the market,” Konnur noted. In a crowded information economy, credibility is the ultimate moat. Regulations and clear guidelines, he argued, are necessary to curb misuse without stifling innovation.

Mishra added a note of caution against overuse. “AI should not be everywhere. It has to be used optimally,” he said. The value lies not in blanket automation but in strategic integration.

One of the most resonant metaphors came from Padmanabhan. AI, he suggested, is like a brush in a human hand. Powerful, versatile, transformative but inert without the artist. It cannot survive without the human touch.

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Konnur distilled the session’s core takeaway, AI is inevitable, but the art of storytelling will never disappear.

In a media landscape defined by speed, shrinking attention spans and intense competition, the newsroom of tomorrow is not simply a technological upgrade. It is a recalibration. Between efficiency and ethics. Between automation and authenticity. Between reducing manpower and retaining meaning.

The algorithms may write cleaner copy and generate sharper graphics. They may even predict what audiences want before audiences know it themselves. But the enduring task remains unchanged to tell stories that inform, interrogate and inspire.

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And for that, the human newsroom is still very much open for business.

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