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Sony Pix brings Spectre to Pix Premiere Nights

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MUMBAI: Sony Pix is all geared up to offer its fans the biggest amazement of the year by partnering for Spectre, the latest James Bond movie, a day before its theatrical release in India exclusively for Pix Premiere Nights. The exclusive screening of the film for Pix Premiere Nights is scheduled on 19 November 2015.

 

Get set to watch the latest Bond thriller  across the cities of Mumbai, Delhi, Kolkata, Bangalore, Pune, Hyderabad, Kochi, and Chennai. Pix Premiere Nights, the largest integrated on ground brand property in the English movie category is a unique proposition for the viewers to exclusively watch the premiere of the latest Hollywood movies one day before its theatrical release in India. Spectre will be screened in 11 screens across 8 cities.   

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Sony Pix has previously hosted Pix Premiere Nights for Robocop (2014), The Hobbit: The battle of the five armies (2014), Amazing Spider Man 2 (2014) and Fantastic Four (2015) among others.

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English Entertainment

Ellison takes his Paramount-Warner Bros case straight to theater owners

The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting

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CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.

The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.

“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”

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It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.

Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.

He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.

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“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

Fine words. The regulators, however, will have the last one.

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