Hindi
Movies OK brings monsoon blockbuster festivals
MUMBAI : Monsoons are best spent with loved ones, a hot cup of coffee and your favorite movies on your home screen! This July, Movies OK is all set to make your monsoon a lot more exciting with two fantastic festivals, Kuch Kisse, Kuch Kahaniyan Aur Thodi Baarish and 8 Ka Thaat that promise to leave you enthralled and entertained.
Kuch Kisse, Kuch Kahaniyan Aur Thodi Baarish, a festival perfect to watch with your loved ones, aims to make your monsoon afternoons magical. The festival will air movies including the superhit Aashiqui, Shah Rukh Khan, Preity Zinta and Saif Ali Khan starrer Kal Ho Na Ho, Shahid Kapoor’s debut film Ishq Vishk, the romantic drama Rehna Hai Tere Dil Mein, Mann, I Hate Love Storys, Dil, Dil Toh Baccha Hai Ji and Kahin Pyar Na Ho Jaye. This wonderful movie bonanza will culminate on 29th July with Alia Bhatt and Arjun Kapoor starrer romcom, 2 States.
8 Ka Thaat, the prime time action festival, will feature Bollywood’s biggest action heroes that are bound to get your adrenaline racing. Kick starting with Ajay Devgn and Emraan Hashmi starrer Once Upon a Time in Mumbai, the festival will also feature Saif Ali Khan’s Bullet Raja and the dramatic tale of Amitabh Bachchan’s Agneepath amongst a host of others.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
