iWorld
Zee5 premiers ‘State of Siege: Temple Attack’ in three languages
KOLKATA: Zee5 original film State of Siege: Temple Attack has premiered in Hindi, Tamil, and Telugu simultaneously on 9 July. To create buzz around the film, the OTT platform has deployed an extensive 360-degree campaign consisting of print, TV, digital and on-ground promotions.
From multiple print ads and an on-air promotional plan to a stimulating digital plan including a UGC activity where people sent in their gratitude in the form of a message to NSG commandos, ZEE5 left no stone unturned to promote the film, the platform said in a statement.
Inspired by true events, State of Siege: Temple Attack pays tribute to our soldiers, salutes the brave Indian spirit, and continues the legacy of the Siege series. It stars Akshaye Khanna in the lead role, alongside Vivek Dahiya, Gautam Rode, Sameer Soni, Parvin Dabas, and Manjari Phadnis.
“After receiving an overwhelming response from audiences across the country for State of Siege: 26/11, we are extremely thrilled to bring forth another story from the successful State of Siege franchise that will captivate the audience’s attention,” ZEE5 India chief business officer Manish Kalra said. “We take immense pride in telling stories of valour and unwavering grit, and this film, which is based on NSG commandos’ sacrifices, pays a befitting tribute to these real-life heroes who risk their lives to save ours.”
State of Siege: Temple Attack is produced by Contiloe Pictures led by Abhimanyu Singh, and Ken Ghosh who previously helmed ZEE5’s web series Abhay 2 has directed the film. With a generous dose of thrill, action, drama, and suspense, this latest offering from ZEE5 promises the audience an edge-of-the-seat experience.
iWorld
Warner Chappell Music launches India ops, Jay Mehta to lead unit
WMG shifts to direct model, unifying publishing and recorded music
MUMBAI: Warner Chappell Music has officially launched direct operations in India, marking a strategic shift by parent Warner Music Group to deepen its presence in one of the world’s fastest-growing music markets.
The move replaces the company’s earlier sub-publishing model with a full-fledged, on-ground operation, aimed at giving Indian songwriters stronger access to global networks, rights management tools, and creative infrastructure.
To lead the push, Jay Mehta has been handed an expanded mandate. Already serving as managing director of Warner Music India, Mehta will now oversee both recorded music and publishing across India and neighbouring South Asian markets, effectively bringing the two sides of the business under one roof.
The unified structure is designed to streamline how artists and songwriters work with the company, offering a more integrated ecosystem that spans compositions, recordings, and global distribution.
Warner Music Group managing director, recorded music and publishing, India and SAARC Jay Mehta said, “India’s songwriters are world-class, constantly redefining genres and pushing creative boundaries. By establishing a direct footprint for Warner Chappell, we’re bridging the gap between local brilliance and global opportunity.”
The timing is no coincidence. According to CISAC, creator collections in India jumped 42 per cent year-on-year to Rs 7 billion in 2024, while IFPI ranks India as the 15th largest recorded music market globally. At the same time, the industry is undergoing a structural shift, with independent and non-film music gaining ground over traditional Bollywood soundtracks.
Warner’s bet is that a direct presence will help it capture this changing dynamic. The company is also offering India-based creators access to its proprietary tools, including AI-powered royalty matching systems and real-time analytics platforms, aimed at improving transparency and earnings visibility.
Warner Chappell Music co-chair and CEO Guy Moot said the move is about shaping a publishing ecosystem that “works for creators and ensures their music is heard, protected, and rewarded everywhere.”
Meanwhile, Warner Music Group CEO Robert Kyncl underlined India’s importance to the company’s global strategy, noting that the new structure creates a “unified powerhouse” for both creators and audiences.
With local studios, global reach, and tighter integration across its business lines, Warner is clearly doubling down on India. And as streaming habits evolve and independent music rises, the company is positioning itself to be not just a participant, but a key architect of the country’s next music chapter.
