GECs
‘We believe our prime time has more potential’ : Ashvini Yardi – Colors senior VP and head of content and creative
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Colors is celebrating its first year sitting at the top of the ratings cliff. A late entrant, with 10 Hindi general entertainment channels launched before it, the Viacom18 channel climbed to the No. 1 position in 38 weeks time, enjoying the fastest ride to success with backing coming from “disruptive and differentiated” programming, strong distribution and heavy promotions.
From 81 GRPs (gross rating points) and the No 3 position in first week, Colors crossed the 100 GRP mark in its second week; 200 GRPs in the ninth; and 300 GRPs in the 32nd week. Critics have accused the channel of pumping in huge monies behind high-cost shows. That seems to be paying off, at least for now. Post a big bang launch with Khatron ke Khiladi, Colors programming team under the stewardship of Ashvini Yardi, former Zee TV creative head, weaved a series of daily and weekly shows that gradually built a loyal viewership base for the channel. Within nine months of launch, shows such as Balika Vadhu, Jai Shri Krishna, Uttaran and Na Aana Is Des Laado, along with non-fictions, are kicking in around 250 GRPs. In an interview with Indiantelevision.com’s Gaurav Laghate, Colors senior VP and head of content and creative Ashvini Yardi talks about the strategy behind the programming and the channel’s plans ahead.
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Colors launched exactly a year back. What have been the important landmarks for you? We created thought provoking subject-based shows like Balika Vadhu, Uttaran and Na Ana Is Des Laado. And we believe that Colors has raised the bar for quality programming, both in fiction and non-fiction shows. |
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But don’t you think it adds on to the audience fatigue? |
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What has been Colors’ strategy behind selecting particular shows? We also encouraged new talents. |
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But on the creative side, how do you decide on the progress of the storyline? |
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In that case, creative differences won’t emerge? |
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And what about deadline pressures? Producers always accuse channels for changing storyline at moment’s notice and that they don’t get enough time. |
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Precisely, that’s why some shows run for years and viewers don’t enjoy “happy endings”. What about finite shows? |
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Is the accusation true that Colors is putting in large monies for big ticket shows and spoiling the market? |
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But you roped in stars like Akshay Kumar and Shilpa Shetty for your properties. Don’t they hike your budgets? And how important is the star value for you? Shilpa, on the other hand, had won Big Brother in its original format at that time. So, who better than her to host Big Boss. Moreover, these shows with celebrities also helped as promotional vehicles for the channel. |
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Channels are adopting films into soaps. Your Jeevansathi had striking similarities with the movie Hum Dil De Chuke Sanam. |
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But some of the shows are not delivering. Don’t you think you should replace them like you did with four other shows? The four shows that we have replaced were not getting enough response, so we ended the story logically. |
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Now that you have a stable GRP base of 250 from programming and movies, what next?
Our aim is to continue delivering on viewer’s expectations and to consolidate the primetime. We believe our primetime has more potential than this. |
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And what about launching the afternoon band?
As I said, there is a lot of scope in primetime; therefore, first we are taking care of this band. After that, we will get into the afternoon band. Moreover, our repeats during afternoons are getting us ratings; so we can wait for some more time before launching shows for this band. We have also launched the Sunday morning band and are getting good response from it. |
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Any big idea behind launching the Sunday morning band?
It is in sync with our disruptive and differentiated programming. Sunday morning was a major slot in the 90’s. It is still a time when families sit together and watch television, including kids. So we decided to design programmes for this untapped slot. Our shows Vikram aur Betaal and Shri Swaminarayan are targeted at family viewing with a focus on kids. Also, now we have launched our weekend primetime with India’s Got Talent, Chhote Miyan season 2 and Mahaveer Hanuman. So we are on course with our plans. |
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Has the economic slowdown played a dampener on your budget and growth plans?
Well, we are ahead of our targets and, thus, have not curtailed any of our plans. |
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How important is it to be in the top three in the highly competitive Hindi GEC space?
It is a cycle. It is very important to be in the top league in this game. If you are there, you can attract big chunk of revenues to invest in good shows, which ultimately gives you good ratings. |
GECs
Sony PAL to air Sankat Mochan Hanuman from May 4 at 9 PM
Mythological series brings Lord Hanuman’s tale of devotion and courage back to TV
MUMBAI: Sony PAL is set to bring back the timeless mythological series Sankat Mochan Hanuman, with its premiere scheduled for May 4 at 9 PM. The show revisits the legendary journey of Lord Hanuman, offering viewers a chance to reconnect with one of Indian mythology’s most revered figures.
Centred on themes of devotion, courage and righteousness, the series traces Hanuman’s unwavering loyalty to Lord Ram and his fearless stand against evil. With its mix of dramatic storytelling and visually rich sequences, the show aims to deliver both entertainment and spiritual resonance, appealing to audiences across age groups.
The narrative unfolds as a larger-than-life saga, positioning Hanuman as the ultimate protector and a symbol of strength and selfless service. His journey, rooted in faith and duty, continues to strike a chord with viewers, making the series as relevant today as ever.
The cast features Gagan Malik as Lord Ram, Debalina Chatterjee as Sita, Nirbhay Wadhwa in the titular role, and Saurav Gurjar as Raavan. Their performances bring depth and authenticity to characters deeply embedded in Indian cultural memory.
With its return to television, the show is positioned as more than just a rerun. It taps into a renewed appetite for mythological storytelling, blending nostalgia with timeless values.
As audiences increasingly seek content that resonates beyond entertainment, ‘Sankat Mochan Hanuman’ offers a familiar yet powerful narrative, reminding viewers that stories of faith and courage never really go out of style.







