iWorld
Voot to roll-out 4 new originals in a month under SVoD
MUMBAI: To lure more users, Viacom18’s over-the-top (OTT) platform — Voot — will roll-out four new Originals under the subscription video-on-demand (SVoD) category on the platform. The launch of these four new Original series will happen anytime within 30 to 45 days, says Viacom18 Digital Ventures, chief operating officer, Gourav Rakshit speaking exclusively to Indiantelevision.com.
The media and entertainment company earlier this year has already formally announced a subscription-based video streaming service — Voot Select, a premium pay service. The arm of the company’s OTT platform will be helmed by Ferzad Palia, head – youth, music & English, Viacom18.
“The shooting of Originals being already completed, it was outsourced to production houses”, says Rakshit. “As the platform will roll-out the very first Originals, it had to be Hindi genre, however, it will have a translation to other regional languages.”
According to Rakshit, “Regional is going to be a growth factor for the next five years. Even though Hindi content will grow, the regional content’s growth would be more excessive.”
Besides Voot Select, the company had also launched Voot Kids last year, its first paid service to tap into the growing demand for kids’ content. Meanwhile, Hotstar has also introduced a new “Kids” button to its website that filters age-appropriate content with parental control last year.
The SVoD category will provide exclusive content across a diverse multi-genre marquee, of which four of them will be unveiled in a month’s time. “Originals are the big players in the customer acquisition for subscription business,” says Rakshit.
The data and content have been the major engine drivers for OTTs. Disregarding both of them, Rakshit says, “Our focus is on users more than the data or content. Users exposed to content will definitely provide the data and the reason for our existence is only because of them.”
“We are putting out a slate, which is our best guess with respect to upcoming Originals, beyond that we’ll start getting data,” says Rakshit. “We have already been live while in terms of just putting out our select service sans putting out Originals. This is done to get likes and dislikes of the consumer.”
He adds, “On the AVoD side, there is a lot of content we make ourselves under Voot Night Live, which is like an extra innings of the hit show Bigg Boss.” This attempt itself has given a lot many tractions on the digital platform but it wanted to go beyond TV content on the OTT platform and hence the decision to come up with new Originals soon, explains Rakshit.
Voot is the third broadcaster-led OTT platform, after ZEE5 and Hotstar, to enter into the SVoD category. It has over 100 million downloads on the Google Play store.
Stating that it’s just a start for the OTT players, Rakshit says, “Don’t believe 2020 is going to be the transformation year. However, it’s going to be a whole decade. In this context, we are neither late nor early to come up with new Originals and in this decade lot many things are going to change.”
iWorld
WPP Opendoor and Snapchat launch AI Lens for Prime Video India
Generative AI Lens personalises content discovery with real-time user integration.
MUMBAI: In the age of main characters, Prime Video is handing users the script and the spotlight. WPP Opendoor, WPP’s dedicated Amazon unit, has teamed up with Snapchat to roll out an India-first generative AI-powered Lens for Prime Video’s latest campaign, ‘Stories for Your Every Era… it’s on Amazon Prime’. The activation taps into the rising “era-core” trend, where identities shift with moods, moments and mindsets and content is expected to keep up.
The Lens does exactly that. Using generative AI, it places users directly into the worlds of popular Prime Video titles such as Maxton Hall, Beast Games, The Boys and The Traitors, embedding their faces into key visuals in real time. The result is less browsing, more becoming.
The idea is rooted in a behavioural shift: audiences increasingly see themselves as the centre of their own narratives, especially on social platforms. By turning viewers into participants, the campaign blurs the line between content discovery and content experience.
It also introduces a layer of personalisation that goes beyond algorithms. Whether someone identifies with a “trust no-one era” or an “infinite aura era”, the Lens curates recommendations that align with that evolving identity making discovery feel intuitive rather than instructed.
This marks a shift in how streaming platforms approach engagement. Instead of pushing titles, the focus is on pulling users into the story itself transforming passive scrolling into interactive storytelling.
The collaboration also underscores how platforms like Snapchat are becoming key playgrounds for content marketing, particularly when paired with emerging technologies like generative AI. The format is native, immersive and built for participation three things traditional discovery often struggles to deliver.
In a crowded streaming landscape, where attention is the real currency, Prime Video’s bet is clear, if viewers feel like the story is about them, they are far more likely to press play.
