iWorld
There is a high demand for scripted content on OTT platforms currently: Sameer Gogate
Mumbai: BBC Studios, the production arm of BBC group, has emerged as the preferred partner for over-the-top (OTT) platforms to create premium shows. It has partnered with OTT platform Zee5 for its latest release The Broken News directed by Vinay Waikul and starring Sonali Bendre, Jaideep Ahlawat and Shriya Pilgaonkar. “The demand for scripted content on OTT platforms is extremely high right now and we’ve been servicing that demand,” remarks BBC Studios general manager Sameer Gogate.
BBC Studios has gotten off to a strong start to the year with its Disney+ Hotstar series Rudra: The Edge of Darkness marking Ajay Devgn’s OTT debut. Now, it is backing Sonali Bendre’s OTT debut with The Broken News. The studio first partnered with Zee5 for the Telugu-language thriller Gaalivaana directed by Sharan Koppisetty and starring Sai Kumar and Radhika Sarathkumar. The studio will continue its association with Zee5 by building its slate of Hindi originals across genres.
In terms of new projects, the studio is working with Amazon Prime Video for an unnamed project and Voot for Kaisi Yeh Yaariaan season four which has begun filming. It is also expecting the release of Hotstar Special Criminal Justice season three in the coming months.
“We’ve got a fairly busy slate this year and there are a few more projects I can’t announce yet because the OTT platform would like to announce it first,” says Gogate. He reveals that the studio is working on another project with Disney Star.
After a silent period in the TV production space, the studio is returning to work on a upcoming dance reality show. While the studio is mostly working on OTT projects, Gogate expects this trend could change in the next couple of years.
The Broken News is based on a UK series called Press, created and written by Mike Bartlett. While the original show was written for print media, BBC Studios India adapted the format for the broadcast news industry. “The show (The Broken News) highlights the role of the news producer who is the earpiece of the news editor. There’s a lot of work that went into the writing in terms of visiting news studios, meeting with anchors and catching up with news reports. The story is a reflection of what’s happening in society and thankfully when we pitched it to Zee5, they took it up right away,” recalls Gogate.
In the past, BBC has created the shows What The Love Netflix and Sons of the Soil for Prime Video. It has also worked on Out of Love seasons one and two for Disney+ Hotstar. As subscription driven streamers increase investments in original content in India, they’re on the lookout for production partners who can deliver premium shows that can help them differentiate from the clutter.
“By virtue of being a studio with a strong lineage and brand, we’ve been able to put up big productions that have been successful,” says Gogate. “I’m fortunate to have an experienced team that can mount big shows and handle that pressure which helps me sell more content to OTT platforms.”
Gogate is keen to work with all the subscription OTT platforms in the country including players like SonyLIV, Netflix, HBO Max and Lionsgate Play.
iWorld
Govt pushes live events sector to Rs 196 billion by 2028
LEDC roadmap targets 15–20 million jobs and global hub status by 2030
MUMBAI: India’s live events story is getting louder and this time, it’s policy turning up the volume. The fourth meeting of the Live Events Development Cell (LEDC), chaired by Chanchal Kumar, was held on 30 April 2026 at Vigyan Bhavan, bringing together representatives from nine Central Ministries, six States and 12 industry stakeholders to chart the sector’s next phase of growth. The numbers already tell a compelling story. India’s organised live events industry was valued at Rs 145 billion in 2025 and is projected to grow at 10 per cent to Rs 196 billion by 2028 making it one of the fastest-expanding segments within the media and entertainment ecosystem.
Set up in July 2025 by the Ministry of Information and Broadcasting, the LEDC is tasked with turning that momentum into a structured growth engine. Its long-term ambition is ambitious, position India as a global live events hub by 2030 while generating an additional 15–20 million jobs.
At the meeting, officials emphasised the sector’s multiplier effect spanning tourism, employment and allied industries while underlining the need for coordinated execution. A key update was the rollout of a single-window clearance system for live event permissions via the India Cine Hub portal, aimed at simplifying approvals and improving transparency.
States have been urged to adopt the system, alongside implementing the “Model Executive Order for Streamlining Licensing and Permissions for Live Events in India, 2026” by 31 May 2026. The framework seeks to standardise what has long been a fragmented and time-consuming regulatory process.
Beyond permissions, the discussion also turned to infrastructure and talent. A draft concept for greenfield venue development was tabled, alongside plans to build a skilled workforce. The Indian Institute of Mass Communication, in collaboration with industry bodies MESC and EEMA, is set to introduce certificate courses tailored to the live events sector.
Chanchal Kumar stressed that alignment across stakeholders is already in place, with the next challenge being execution at scale. The government, he noted, remains committed to creating a facilitative and transparent ecosystem for organisers.
For an industry once seen as fragmented and event-driven, the message is clear, India’s live events business is no longer just about the show, it’s about building an entire stage for growth.
