iWorld
The shape of Indian OTT universe circa 2021 according to Rethink Tech Research
MUMBAI: This should put OTT players on alert and gladden the hearts of linear TV distribution and programming executives. The latest numbers about how India’s video guzzlers are going to consume VoD services by the UK-based industry tracker Rethink Technology Research reveal that India will have about 14.6 million VoD subscribers by 2021. Indiantelevision.com estimates are that, comparatively, Indian DTH will account for about 75 million active subscribers and cable TV more than 100 million by then.
Clearly, VoD will have made a marginal dent in eroding linear TV distribution platforms stranglehold on Indian viewers thanks to the lower sticker prices for cable TV and DTH, which will possibly continue to be in play even in 2021. Cord-cutting, which is becoming increasingly common in many markets, may not really make its way to Indian shores.
Yes, the data suggests that India will be the second largest market in Asia Pacific after China which will account for 60 per cent of the Asia Pacific’s $10 billion subscription revenues and 200 million subs, by 2021. (The corresponding figures for 2016 are at $6.5 billion and 100 million respectively.)
“Asia Pacific is made up of a multitude of contrasting individual markets, making it fragmented and complex with broadband penetration above 50%, in some regions and below 10% in others,” said a statement from Rethink Technology Research.
There will be a hard pitched battle for subscription shares between the 30 odd OTT players in the game in India. By then probably many more OTT providers will have stomped into the terrain. And hence one wonders how many of them will be profitable.
Both, Netflix and Amazon Prime, are just about beginning to plonk down top dollars – like India has not seen before – on original shows which should hop on to their India – and later global – offering by next year. Hotstar and Viacom18’s Voot have also been investing heavily to acquire customers. Estimates are that the two have pumped in around Rs 4000 million and Rs 1400 million, respectively, since launch. Others such as Viu, NextGTV, Spuul, ErosNow, Hooq, SonyLiv, YuppTV and Alt Balaji too are in a customer acquisition phase, having just got onto the runway.
The good news, according to Rethink, is that pure play SVoD services in APAC (expected revenues by 2021: $6.29 billion) will dominate operator-supplied services.
As far as APAC is concerned, the research house predicts that Indonesia and Japan will be third and fourth, with each increasing to 9.96 million and 8.1 million by 2021, respectively.
iWorld
Talk to your telly: JioHotstar’s new AI voice feature reads your mood to suggest shows
The streaming giant ditches the scroll for a “conversational” AI that understands moods, cricket and Hinglish
MUMBAI: The era of the endless scroll may finally be over. JioHotstar has officially flicked the switch on its “Conversational Voice Discovery” (CVD) feature, a high-tech overhaul designed to turn the hunt for a Friday night film into a natural chat. Developed in a landmark partnership with OpenAI, the tool moves beyond clunky keyword searches, allowing users to find content by describing their mood, context or even the most bizarre viewing scenarios.

The feature is vision of Uday Shankar, vice chairman of JioStar, whose goal is to eliminate “content overload” by replacing the tedious, traditional scroll with natural dialogue. By leveraging ChatGPT’s ability to grasp context and cultural nuance, the new mobile interface allows users to bypass menus entirely, turning search into a seamless conversation.
The launch, which rolled out across India this month, sees a ChatGPT-powered interface integrated directly into the heart of the app. Instead of typing “action movie” into a sterile search bar, viewers can now speak to their devices as if they were asking a well-read friend for a tip. For now, the feature is exclusive to the mobile app, with a rollout for Connected TV (CTV) expected in later phases.
Beyond the keyword
The CVD feature is built on what JioStar calls “Multilingual Cognitive Search.” It is designed to interpret nuance rather than just matching text. If you tell the app, “I’ve had a long day, give me something mindless and funny,” it won’t just look for those words in a title; it will sift through 300,000 hours of library content to find a light-hearted sitcom or a stand-up special that fits the vibe.
The tech is natively multilingual, catering to India’s diverse linguistic landscape. Users can switch effortlessly between languages—asking for “Koi light-hearted comedy dikhao” (show me some light-hearted comedy) or requesting a “Thriller hai but zyada dark nahi chahiye” (a thriller that isn’t too dark).
Real-time curiosity and live sports
Perhaps the most ambitious aspect of the rollout is its integration with live sports. During a high-stakes cricket match, the AI acts as a digital companion. Fans can ask, “Who is the top scorer right now?” or “Show me that last wicket again,” and the system will pull the relevant data or clips instantly. It even attempts to explain the “why” behind the crowd’s energy, responding to prompts like, “Why is everyone reacting like that?” by contextualizing on-field events.
A shift in streaming strategy
The move is part of a broader reimagining of the entertainment experience following the massive merger between JioCinema and Disney+ Hotstar. Uday Shankar noted that the goal is to make premium entertainment “truly accessible” by embedding AI at the core of the user journey. By anticipating culture and context, the platform hopes to kill off “decision fatigue.”
For OpenAI, the partnership represents a major play in the Indian market. Fidji Simo, the head of applications at OpenAI, said the goal was to turn a “one-way” passive consumption experience into a “deeply personal conversation.”
As the feature goes live for millions of subscribers, the message from Bombay House is clear: the remote control is becoming obsolete. Whether you’re looking for a show that “feels like a rainy Sunday afternoon” or a crime series with a “strong female lead but not too violent,” all you have to do is ask.







