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The Lunchbox, Monsoon Shootout travelling to more festivals overseas

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NEW DELHI: The Lunchbox directed by Ritesh Batra appears to be garnering much more attention than it would have got at the Oscars. The film has visited many international festivals and is set to go to two more soon.

 

The Lunchbox will compete at the 24th Stockholm Film Festival being held from 6 to 17 November, and at the American Film Institute Festival from 7 to 14 November.

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Amit Kumar’s Monsoon Shootout and Remo D’Souza’s Any Body Can Dance (ABCD) will screen under the Asian Images section in Stockholm.

 

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The Lunchbox, making its Nordic Premiere at the festival, will compete with films like Paul Wright’s For Those in Peril, Anthony Chen’s Ilo Ilo and Amat Escalante’s Heli. The section showcases directors making their first, second or third feature film. 

 

Monsoon Shootout has earlier been screened at Cannes, Durban, Sydney, Jerusalem and London Indian Film Festivals. Remo D’Souza’s Any Body Can Dance (ABCD) is a 3D dance film directed and choreographed by Remo D’Souza and produced by UTV.

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Meanwhile, a total of 32 titles will be screened in the World Cinema section of the AFI. The complete programme includes 119 films (83 features, 36 shorts) from 43 countries.

 

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The Lunchbox, featuring Irrfan Khan, Nimrat Kaur and Nawazuddin Siddiqui, had its world premiere at the International Critics’ Week of the Cannes Film Festival and has since travelled to several important festivals including Telluride, Toronto, Karlovy Vary, Zurich and BFI London.

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Hindi

Jio Studios, Sanjay Dutt team up to revive Khal Nayak

Rights acquired for new version, format under wraps as remake plans take shape.

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MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.

Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.

While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.

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The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.

The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.

For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.

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Because in Bollywood, some villains never fade, they just wait for the perfect comeback.

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