Hollywood
Tarantino to premiere leaked script with an exclusive stage reading
MUMBAI: Many of the Film Independent, The New York Times Film Club and Los Angeles County Museum of Art (LACMA) members are geeking out over the news that Film Independent is presenting what’s sure to be one of the most exciting happenings in the film world this year: Quentin Tarantino is going to direct a staged reading of The Hateful Eight for Film Independent at the LACMA!
On Thursday, 24 April at 8:00 pm, the iconic director will show up with a hand-picked cast to LACMA’s Bing Theater for a world premiere reading of the unmade script that’s been causing a ruckus since January, when Tarantino pulled the plug on the picture immediately upon learning that the script had been leaked by someone connected to the small circle of actors he’d circulated it to.
“I like the fact that people like my shit, and that they go out of their way to find it and read it,” an outraged Tarantino told Deadline. This staged reading could be an once-in-a-lifetime opportunity to see something that has never been seen before and probably won’t be seen again. It will not be recorded or live-streamed. Also, the cast is likely to remain secret until they appear on stage that night at the Bing.
The Hateful Eight follows the steadily ratcheting tension that develops after a blizzard diverts a stagecoach from its route, trapping a pitiless and mistrustful group, which includes a competing pair of bounty hunters, a renegade Confederate soldier and a female prisoner in a saloon in the middle of nowhere.
Hollywood
Paramount seeks FCC nod for foreign-backed $110 billion WBD deal
Gulf funds back merger as foreign stake nears 50 per cent, control stays with Ellison
NEW YORK: Paramount Global has approached the Federal Communications Commission seeking approval for foreign investments tied to its proposed $110 billion acquisition of Warner Bros. Discovery, marking another key step in one of the biggest media deals in recent years.
According to regulatory filings made public this week, the investment backing the deal includes major Gulf sovereign funds such as the Public Investment Fund, the Qatar Investment Authority and L’imad Holding Company. Together, foreign investors are expected to hold just under 50 per cent of Paramount’s equity once the transaction is complete.
Despite the sizeable international backing, Paramount has made it clear that voting control will remain with the family of chief executive David Ellison, ensuring the company stays firmly under US control as required by broadcasting rules.
A company spokesperson described the FCC filing as routine for transactions involving foreign capital and stressed that it does not impact the closing of the deal. Under US law, any significant foreign ownership in broadcast licence holders must undergo regulatory review.
The merger itself has already cleared a major hurdle, with Warner Bros. Discovery shareholders approving the deal on 23 April. The transaction values the company at $31 per share, a 147 per cent premium to its earlier trading price, reflecting strong strategic intent behind the tie-up.
If completed, the combined entity will bring together a vast portfolio including Warner Bros. film studios, HBO Max, and networks such as CNN, TNT and Discovery Channel. The deal is currently expected to close in the third quarter of 2026.
However, scrutiny is intensifying. The US Department of Justice has issued subpoenas seeking details on the merger’s potential impact on cinema competition, streaming services and content licensing. Reviews are also anticipated in international markets, including the United Kingdom.
There is also a financial safety net built into the agreement. If regulators ultimately block the deal, Paramount would face a $7 billion break-up fee. Additionally, the company has taken on $2.8 billion in obligations previously owed by Warner Bros. Discovery to Netflix following an earlier terminated arrangement.
Paramount maintains that easing foreign ownership barriers will unlock fresh capital and strengthen its ability to compete in a rapidly evolving media landscape. For now, the spotlight remains on regulators, whose decision will determine whether this global media consolidation moves from script to screen.
