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Prime Video hits 315 million ad-supported viewers

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MUMBAI: Prime Video is turning up the volume on ad-supported streaming. The platform now reaches an average of 315 million ad-supported viewers globally every month, up from 200 million in April 2024, Amazon revealed at its annual flagship event.

This figure represents the unduplicated monthly audience across original and licensed series, films, live sports and events, and free ad-supported live channels on Prime Video. The estimate is based on Amazon’s internal data from September 2024 to August 2025, with some variation depending on local launch dates.

Prime Video Advertising vice president Jeremy Helfand said, “Reaching more than 315 million average monthly ad-supported viewers globally marks a transformative milestone for Prime Video. This expanded audience across 16 countries demonstrates our customer-obsessed approach to enhancing the viewing experience while delivering powerful opportunities for brands. We’re just beginning to unlock what’s possible when premium entertainment, engaged viewers, and innovative ad-tech converge with relevant and performant advertising at this unprecedented scale.”

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Advertising on Prime Video is now available in 16 countries, including India, U.S., U.K., Germany, France, Japan, and Brazil. The milestone underscores Prime Video’s growing role as a global advertising destination, allowing brands to connect with highly engaged audiences through premium content.

With streaming and ad-tech combining like never before, Prime Video is proving that premium content can be both entertaining and commercially powerful, offering brands a stage to reach viewers at scale across the globe.

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iWorld

Paramount revamps app with short videos to boost mobile viewer engagement

Streaming giant borrows from TikTok playbook to drive daily usage on phones

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LOS ANGELES: Paramount Skydance is giving its streaming strategy a mobile-first twist, rolling out a redesigned version of its Paramount+ app that leans heavily on short-form video to capture viewer attention, according to a Reuters report.

The updated app, currently available to iPhone users via Apple, features scrollable clips such as sports highlights, news snippets, UFC moments and trailers. The idea is simple but effective: get users to open the app multiple times a day, much like they do with TikTok or Instagram.

By encouraging repeat visits, Paramount is betting it can deepen engagement and unlock new features such as real-time statistics during live events and interactive viewing elements. The approach reflects a broader industry shift, where streaming platforms are borrowing cues from social media to stay relevant in an increasingly crowded market.

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The stakes are high. In the first quarter of 2026, Paramount accounted for just 2 percent of global app-based streaming, trailing rivals such as Netflix, HBO Max and Peacock, according to data cited by Reuters. Even a potential combination with Warner Bros Discovery would only place it fourth in the streaming rankings.

Meanwhile, YouTube, owned by Google, continues to dominate the mobile video space, boasting user numbers far ahead of Paramount+. This gap has pushed traditional studios to rethink how audiences discover and consume content.

Industry insiders suggest Paramount could go further by experimenting with micro dramas or tapping digital creators to draw in younger viewers. Rivals are already moving in that direction. Netflix is investing in video podcasts featuring names like Pete Davidson, Michael Irvin and Brian Williams, while Amazon has teamed up with Jimmy Donaldson for a reality series.

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There are also hints of potential collaboration with TikTok, given shared links to Larry Ellison of Oracle, though both companies have said no formal agreement exists.

The revamp is part of a wider overhaul of Paramount’s streaming operations, including both Paramount+ and Pluto TV, as the company looks to sharpen its competitive edge.

In a market where attention spans are shrinking, Paramount’s latest move signals a clear pivot. If viewers will not come to long-form content, the strategy suggests, then perhaps the content must first meet them in short bursts.

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