International
People mad to see The Dark Knight Rises
MUMBAI: Christopher Nolan‘s final installment of Batman. So much is the excitement to see the film, the online ticketing service Fandango has said that more than 2,000 shows are already sold out including every midnight Imax run.
With this, The Dark Knight Rises seems to be outpacing The Avengers in terms of advance ticket sales, said the online ticketing service.
From Warner Bros. and Legendary Pictures, the film opens at the domestic box office in more than 3,700 theaters. Initially, it was reported that the superhero film had collected $25 million in advance sales as of Wednesday. The number shot up by the end of Thursday. The online ticketing service has sold out more than 2,000 shows of Dark Knight Rises.
“Thursday‘s ticket sales are incredibly strong, as film fans are flocking to Fandango to guarantee their seats for the film‘s opening weekend,” Fandango executive vp and GM Rick Butler has reportedly said. “The good news is that that theatre owners are continually posting new show times on Fandango to meet the fan demand, so tickets are still available,” it observed.
Pre-release tracking for The Dark Knight Rises is so huge that the film should have no trouble besting the $158.4 million opening of The Dark Knight to score the best domestic debut of all time for a 2D film.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
