Hollywood
Paramount to distribute ‘Selma’ DVD in every US high school
MUMBAI:In celebration of the home entertainment debut of director Ava DuVernay’s inspirational and Academy Award-winning epic Selma, Paramount Home Media Distribution will send a copy of the DVD free of charge to every high school in the US, both public and private.
In addition, teachers can receive free companion study guides to help further illuminate the remarkable historical events depicted in the film.
“Our Selma filmmaking journey has had many highlights, but to me, the response from students and educators has been the most magnificent part of the experience. To think that this triumphant story of dignity and justice will be available to every high school in this country is a realization of many dreams and many hopes. I applaud Paramount on this extraordinary effort, and salute the teachers who will provide classes and context on the work of Dr. King and his comrades to the young minds of our nation. The response from students and teachers to our ‘Selma for Students’ initiative was overwhelmingly positive and we are delighted to be extending the campaign,” said DuVernay.
Paramount Pictures president, worldwide distribution and marketing Megan Colligan added, “During the film’s theatrical run more than 300,000 young people were able to see the film for free. By providing DVDs to all of the high schools in the country, we hope to reach all 18 million high school students with the film’s powerful and inspiring story. With many of these students preparing to vote for the first time in next year’s elections, it is especially fitting that they witness the bravery and fortitude of those who fought to establish the Voting Rights Act of 1965.”
Selma won the Academy Award and the Golden Globe Award for Best Original Song for “Glory” by Common & John Legend. The film was nominated for an Academy Award for Best Picture and Golden Globe Awards for Best Picture, Best Actor and Best Director.
From Paramount Pictures, Pathe, and Harpo Films, Selma, a Plan B, Cloud Eight Films, and Harpo Films production in association with Ingenious Media, tells the incredible story of how Dr. Martin Luther King Jr. led the epic march from Selma to Montgomery to secure equal voting rights in an event that forever altered history.
The film is produced by Christian Colson, Dede Gardner, Jeremy Kleiner, and Oprah Winfrey. The film is executive produced by Brad Pitt, Cameron McCracken, Diarmuid McKeown, Nik Bower, Ava DuVernay, Paul Garnes and Nan Morales. The film is written by Paul Webb.
Hollywood
Disney to cut 1,000 jobs in major restructuring drive
Layoffs span ESPN, studios and tech as company pivots to growth
MUMBAI: The magic isn’t disappearing but it is being reorganised. The Walt Disney Company has announced plans to cut around 1,000 jobs as part of a sweeping restructuring effort aimed at sharpening its edge in an increasingly unpredictable entertainment landscape. The move, led by CEO Josh D’Amaro, reflects a broader internal reset as the company rethinks how it operates, allocates resources and competes in a fast-evolving industry. In a memo to employees, D’Amaro acknowledged the difficulty of the decision but framed it as a necessary step to ensure Disney remains “efficient, innovative, and responsive” to rapid shifts in consumer behaviour and technology.
The layoffs will span multiple divisions, including marketing, film and television studios, ESPN, technology teams and corporate functions. Notifications have already begun, signalling that the restructuring is not a distant plan but an active transition underway.
Importantly, the company has clarified that the cuts are not performance-driven. Instead, they form part of a wider transformation strategy aimed at building a leaner, more agile organisation, one better equipped to respond to streaming dynamics, digital disruption and evolving audience expectations.
The timing is telling. The global entertainment industry is in the middle of a structural shift, with traditional television revenues under pressure and box office returns becoming increasingly volatile. Meanwhile, streaming platforms and digital-first competitors continue to redraw the rules of engagement, forcing legacy players to rethink scale, speed and storytelling formats.
For Disney, long synonymous with blockbuster franchises and timeless storytelling, the pivot is both strategic and symbolic. The company is doubling down on technology, direct-to-consumer services and content ecosystems that align with modern viewing habits, where audiences expect immediacy, personalisation and cross-platform experiences.
Even as the restructuring unfolds, D’Amaro struck a note of optimism, reiterating Disney’s commitment to creativity and long-term growth. Support measures for affected employees are expected as part of the transition, though details remain limited.
In essence, this is less about cutting back and more about reshaping forward. As Disney redraws its organisational map, the message is clear, in today’s entertainment world, even the most magical kingdoms must evolve or risk being left behind.
