iWorld
Nielsen to launch new commercial metrics to track individual ads on TV
Mumbai: Nielsen has announced that it will enhance its National television measurement by measuring viewing in a more precise manner, allowing for a future where audience estimates are based on individual ads rather than commercial minutes.
The latest enhancement to Nielsen Individual Commercial Metrics will help pave the way for true comparability across the digital and linear platforms and comes following a series of tech, measurement and methodology advancements as Nielsen accelerates its efforts for delivery of Nielsen One, its cross-platform measurement solution, it said on Monday.
With more precise commercial measurement, agencies, advertisers and brands will have the unprecedented ability to directly compare, plan and optimise ad campaign performance over both digital platforms and linear TV.
The announcement comes three months after the company lost the industry approval for its national TV rating service after the board of the US-based Media Rating Council (MRC) suspended its accreditation. The suspension of the decades-old TV rating service followed a long standoff between Nielsen and the networks over the former’s services, including discrepancies in the data shared by the company during the pandemic.
Nielsen said it has also expanded its relationship with Extreme Reach, the global leader in creative logistics, allowing for an efficient way of encoding the vast majority of all national linear TV commercials with Nielsen’s watermarks, which will launch in the first half of 2022.
“We’re very pleased to collaborate with Nielsen on this important step in improving workflow efficiency for marketing teams, which has been at the core of our mission at Extreme Reach for over a decade. Nielsen’s ongoing efforts to embrace the morphing worlds of linear and digital TV now provide a means for marketers and their agencies to understand and value digital and linear TV commercials in a directly comparable way, which is a distinct improvement for the industry,” said Extreme Reach COO Gaurav Agarwal.
Nielsen’s new Individual Commercial Metrics reporting capability will enable the measurement of linear television at a “subminute” level and audience estimates at a level of granularity that is more comparable to digital. Providing comparability in this manner paves the way for Nielsen One to provide something long sought after as an industry imperative—true deduplication across platforms, it said.
“Giving the industry true, trusted metrics that offer harmonisation across platforms is the bedrock to revolutionising the cross-media buying and selling process and a foundational step toward Nielsen ONE,” said Nielsen SVP Product Management Kim Gilberti. “By transforming our TV measurement and moving to Individual Commercial Metrics, both media buyers and sellers will be able to maximise the value of their inventory as well as capitalise and drive return on investment of their advertising spend across the rapidly converging traditional and digital landscapes.”
As a first step in this plan, in early 2022 Nielsen will enhance its process for collecting and crediting watermarks, enabling the detection of watermarks more frequently within a given minute, allowing for credit of shorter duration events, such as individual ads. This change will give sellers the ability to utilise Nielsen’s reporting to properly value their commercial inventory—from pricing to placement.
For the first time, Nielsen’s television measurement will also leverage Gracenote Content Signatures, which will allow for granular crediting for instances where there is no watermark present.
iWorld
Prime Video drops trailer for Lukkhe, a rap crime drama starring KING in his acting debut
Eight episodes of revenge, redemption and hard-hitting rap arrive on the streaming platform on 8th May
MUMBAI: Prime Video has unveiled the trailer for Lukkhe, an eight-episode musical action drama built around the world of rap, crime and bruised relationships — and it has done so in suitably loud fashion, launching it at a live concert in Mumbai featuring electrifying performances by KING, Amira Gill, Akshath, Raashii Khanna, Ruaa Kayy and RUTVXK. As if that were not enough, the show’s music album was also dropped at the event, in collaboration with exclusive music streaming partner Amazon Music and music label Warner Music India.
The series is directed by Himank Gaur and produced by Vipul D. Shah and Rajesh Bahl under the banners of Optimystix Entertainment and White Guerrilla LLP. It is created and executive produced by Agrim Joshi and Debojit Das Purkayastha.
The cast is the talking point. KING, the acclaimed Indian rapper and songwriter, makes his acting debut as MC Badnaam, a performer consumed by rivalry and hunger for recognition. Raashii Khanna, returning to Prime Video after Farzi, plays Gurbani. Palak Tiwari, making her streaming debut, plays Sanober. Lakshvir Singh Saran plays Lucky. The ensemble also includes Nakul Roshan Sahdev, Kritika Bharadwaj, Shivankit Parihar, Yograj Singh and Ayesha Raza Mishra in pivotal roles.
The trailer plants its flag squarely in the tension between MC Badnaam and his rival MC OG, played by Parihar, while threading in the love story between Lucky and Sanober. The soundtrack, which spans hard-hitting rap anthems to emotionally charged melodies, is as much a character in the show as any of its leads.
Gaur was candid about what drew him to the project. “Lukkhe gave me a chance to dive into a world that’s loud, emotional, and constantly on edge,” he said. “What stayed with me was how every character is chasing something personal, and music becomes their way of expressing it. Working with this cast, especially KING in his debut, along with Raashii, Lakshvir, and Palak, was incredibly rewarding because they brought honesty that elevated every moment.”
Khanna reflected on her character with evident relish. “Playing Gurbani in Lukkhe was a really intense and fulfilling experience,” she said. “What I found most interesting was how her strength comes from something deeply personal, which shapes every decision she makes. It was about finding that balance between vulnerability and grit.”
KING, stepping in front of the camera for the first time, was characteristically direct. “Stepping into Lukkhe as MC Badnaam has been a defining moment for me,” he said. “What drew me in was how real his hunger and need to be heard felt. It’s something I connect with as an artist. Bringing music into his journey made the experience even more personal.”
Tiwari described the role as a first on multiple fronts. “It was my first time working with Prime Video, and the whole experience felt new and creatively satisfying,” she said. “Being part of a story that has both intense and heartfelt moments, along with a team that brought so much honesty to it, made this journey truly memorable.”
Saran, for his part, zeroed in on what made Lucky tick. “Lucky is someone who’s trying to move forward while still carrying the weight of his past, and that push-pull made him really interesting to explore,” he said. “There’s a sincerity to his journey that I hope people connect with.”
Lukkhe premieres on Prime Video in Hindi on 8th May, across India and in more than 240 countries and territories worldwide. In a streaming landscape drowning in crime dramas, this one is betting that putting a rapper at its centre – and meaning it – is enough to cut through the noise. On the evidence of the trailer, it might just be right.
