Hindi
Mumbai Women’s Filmfest in December invites entries
NEW DELHI: Entries have been invited for the second edition of the Mumbai Women’s International Film Festival (MWIFF) to be held later this year with the goal of showcasing women’s talent behind the camera and giving them the spotlight they deserve.
The Festival organised by Oculus Creations will be held from 6 to 13 December. Entries have to be sent in by 30 September.
Talking about the filmfest, MWIFF director Avinash Pawar says, “This is the first biggest Women’s International Film Festival in India, through which we aim to unleash the talent of filmmakers from all over the world.”
“We also have master class and seminars by Indian Film industry professionals to provide deep-rooted knowledge about cinema to aspiring filmmakers. MWIFF will prove to be a stepping stone for filmmakers in converting their dreams into reality,” he added.
The competition will be held in various categories, which include short films, documentary films, and feature films; the non- competitive category includes world cine-busters, world panorama and world premiere.
MWIFF will comprise six days of film screenings, closing night networking parties, industry panels, post-screening discussions, celebrities, an award ceremony and a pink carpet.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
