iWorld
Movies use social media to gain traction
NEW DELHI: At a time when feature films are lucky if they last one week at the theatres, the social media has made it possible for them to reach more people through mediums like YouTube, Twitter, Facebook and just plain e-mail.
Two forthcoming movies have already broken records as far the popularity of their trailers on social media goes: Viacom18 Motion Pictures and Sanjay Leela Bhansali’s Mary Kom, and Red Chillies Entertainments and Farah Khan directed Happy New Year.
The trailer of Mary Kom has had a current viewership of over 4.3 million. The trailer of the biopic based on the life of the five-time World Championship and Olympic medalist is one of the most successful trailers of all time.
Overwhelmed with the response, Omung Kumar who makes his directorial debut with the film said, “First we were overwhelmed with the response to the first look of the film. The trailer touched people and many people called to tell me that they cried after seeing it. The most touching response for me was from a lady from the north east, who had somehow found out my mobile number and called to say how seeing the trailer, she felt so proud and felt grateful for what it was attempting to do for women, sports and most importantly, people from the region.”
Priyanka Chopra who has enacted the title role said, “I was in shock after the response to the first look of the poster itself! I remember we were shooting in Turkey and I tweeted it and went back to shooting. By the time I came back, my phone was flooded with SMSs and over 3,500 Twitter messages loving it. I thought my phone would explode. The nicest response I got post the trailer was when Mary called me and said, `My kids saw you and thought it is me.’ For me, if I could convince a mother’s children despite not looking like her, it made me proud.” The biggest compliment that came the actress’ way however was from Farhan Akhtar when he said, `Mary ko Milkha ka salaam.”
Producer Sanjay Leela Bhansali said, “Mary Kom’s story is an inspiring one that touched my heart. Not many films are based on biopics of living people, so this is a rare experiment. I am extremely proud of it.”
Produced by Viacom18 Motion Pictures and Sanjay Leela Bhansali, Mary Kom stars Priyanka Chopra and Darshan Kumar in the lead. The movie will be released on 5 September.
Red Chillies Entertainments claimed that the views of the trailer of its Happy New Year from all platforms crossed a record breaking number of four million in 24 hours.
The first trailer to be launched on Facebook, became the most viewed movie trailer on Facebook Native Player across the globe with 1.5 million trailer views, 2.8 million post interaction and over 18 million FB users reached, and over 360,000 likes for the trailer which is the highest ever.
On Twitter, it had 1.5 billion impressions only on 14 August and five hashtags trending of Happy New Year.
It had over two million views across various YouTube partner channels. It became the first film to send a trailer via WhatsApp.
The trailer on the DTH platform Tata Sky reached over 13 million subscribers and each one had to watch the channel 100 when they switched on their TV sets before they could go to any other channel of their choice.
Airtel WAP had over 15 million visitors every day while over 300,000 fans received it via SMS service (missed call facility). Over 25,000 fans received the trailer via email.
While most of the films opt for the conventional YouTube platform, the trailer of Happy New Year slated to release around Diwali was first launched on Facebook’s native video player using an application wherein the trailer was not only launched on the Facebook page of the film but also the timelines of all the users who subscribed to the app.
“In keeping with the tradition of innovation established by Red Chillies, we were delighted to launch the trailer of HNY for the first time across multiple platforms. This was also done to meet the demands of fans who are consuming talent in ways that suit them. This has given the trailer an unprecedented footprint and delighted the fans,” said RCE CEO Venky Mysore.
The trailer was launched on the native video player of Twitter with personalised messages from the cast of the film. “Red Chillies and the cast of Happy New Year understand the value of developing live, personal and interactive connections with their audience, which is only possible on Twitter. From the entire cast and crew sharing every moment of film production on Twitter via their personal handles to their launching personalised trailers and posters on Twitter, Happy New Year has set a new national and global standard in the movie business,” said Twitter India market director Rishi Jaitley.
The trailer was also launched on the conventional platform of YouTube on all channels of the partners (Music distributors T-Series and film distributors Yash Raj Films) of the film along with Red Chillies’ official channel.
iWorld
Prime Video bets big on India with global originals, films and franchise expansion
Execs highlight scale, travelability and new IP bets as India anchors global strategy
MUMBAI: At Prime Video Presents 2026, the message was clear and confident. India is not just part of the plan, it is central to it.
In a lively fireside chat hosted by filmmaker Karan Johar, Kelly Day, vice president of prime video and amazon mgm studios international, Nicole Clemens, vice president of international originals, and Gaurav Gandhi, vice president for Apac and Anz, laid out an ambitious roadmap. Think bigger stories, wider reach and a sharper focus on building franchises that travel.
Kelly Day, a regular visitor to India, set the tone early. Calling the country “one of the most important markets globally”, she pointed to the sheer scale and diversity of audiences as a driving force behind Prime Video’s growth. Indian Originals, she said, are not just local hits but global engines powering subscriptions and engagement.
That global appeal is already visible. According to Clemens, around 25 percent of viewership for Indian content now comes from outside the country. Shows rooted deeply in local culture are finding fans worldwide, proving that specificity, when paired with universal themes, travels well. From gritty dramas to sharp thrillers, Indian storytelling is increasingly crossing borders with ease.
Clemens, who joined recently to lead international originals, was particularly upbeat about India’s creative range. She highlighted a growing slate of over 100 shows in development and production, with more than 60 percent returning for multiple seasons. For her, the formula is simple. Authentic stories, told well, resonate everywhere.
Adding to the buzz, she teased new and returning titles, alongside a fresh superhero universe, the Kalyug Warriors. It signals a push into new genres while doubling down on familiar fan favourites.
If content is king, distribution is the clever courtier. Day outlined Prime Video’s layered business model in India, which blends subscription, rentals, add on channels and ad supported viewing through Amazon MX Player. The idea is straightforward. Give viewers choice, whether they want premium, free or pay per view.
India, she noted, has also become a testing ground for innovation. Tiered pricing, mobile only plans and language diversity have all been sharpened here before being exported to other markets. In many ways, the India playbook is now influencing global strategy.
For Gaurav Gandhi, the next chapter is about scale with intent. He outlined four priorities. Making Prime Video more accessible, pushing Indian content globally, building stronger franchises and supercharging the films business.
On films, the platform is moving beyond licensing into co productions and now theatrical releases in partnership with amazon mgm studios. These films will eventually stream on Prime Video, creating a full circle from cinema halls to living rooms across 240 countries.
Franchise building remains another key pillar. With hits like The Family Man, Mirzapur and Panchayat already enjoying multi season success, the focus is now on creating the next wave of enduring IP. Newer titles are already lining up for second seasons, signalling a steady pipeline.
What stood out through the conversation was a shared belief. Streaming in India is still in its early innings, and the runway is long. With a mix of local flavour and global ambition, Prime Video is betting that stories from India will not just stay at home, but travel far and wide.
Or as the executives seemed to suggest, the world is watching and India has plenty more to show.
