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Movies go unnoticed this week at BO

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MUMBAI: This week saw a number of inconsequential films which had no draw and meant total lack of creativity. The highly-publicised Fugly directed by  third time helmer Kabir Sadanand managed to collect Rs 6.5 crore over the weekend. Described as a comedy, it was nowhere near being one – it rather resorted to hyperbole, hoping it would make us laugh! But it failed miserably as my lips were not curled upwards even during one scene throughout the film.

 

Chal Bhaag could attract no audience. Machhli Jal Ki Raani Hai faced no audience no show status as well.

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There were a few other releases which went unnoticed but mentioned here for the record. 18.11 Code Of Secrecy, Unforgettable and Naari Teri Shakti Anokhi lost without a trace.

 

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Holiday, though opened to a mixed response, got some good word of mouth to consolidate itself. The open run sans any major opposition helped too. The film ended its first week with a total of Rs 66.25 crore. With poor opposition in its second week, the film may hold on well to put together another Rs 22-25 crore or so. However, its high price tag may never see it through to plus side.

 

Filmistan has been exempted from entertainment tax in Maharashtra. The film is monotonously poor and has barely managed to collect Rs 4.25 crore for its first week. Citilights has collected Rs 90 lakh in its second week taking its two week total to Rs 5.9 crore and Heropanti has collected Rs 2.20 crore in its third week to take its three week tally to Rs 52.45 crore.

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Hindi

Jio Studios, Sanjay Dutt team up to revive Khal Nayak

Rights acquired for new version, format under wraps as remake plans take shape.

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MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.

Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.

While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.

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The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.

The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.

For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.

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Because in Bollywood, some villains never fade, they just wait for the perfect comeback.

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