Hindi
Middle East countries ban Anurag Kashyap film
MUMBAI: Citing that the film is vulgar in nature, the Dubai government, along with other countries in the Middle East, has banned Anurag Kashyap‘s That Girl In Yellow Boots (TGIYB) from exhibition.
Confirming the same Kashyap said, “When TGIYB was doing the round of festivals last year, we were not allowed to screen it for the festival panel at Dubai International Film Festival (DIFF) because of the subject matter.”
The film revolves around a young girl Ruth who comes to the city in search of her father, but is soon faced with moralistic questions when she takes up a job as a masseuse to make ends meet.
“TGIYB is for a mature audience. I don‘t know who in the middle-east decides whether the viewers are mature enough to watch the film or not, but I guess it‘s a moralistic stand,” adds Kashyap.
Interestingly, the Censor Board of Film Certification gave an ‘A‘ certificate to the film and passed it without any hassle.
The film releases worldwide on 2 September.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
