Film Production
LAFF inks film licensing deals with Sony, Disney, Miramax
MUMBAI: Continuing to assemble impressive programming assets as it prepares to debut on 15 April, over-the-air broadcast television network devoted to comedy – LAFF – has inked three individual film licensing agreements with Sony Pictures Television, The Walt Disney Studios and Miramax. The deals will bring the network some of the biggest comedic stars and performances of recent times.
Stars and titles headed to LAFF from the Sony Pictures Television library include: Jerry Maguire starring Tom Cruise; Tom Hanks in Sleepless in Seattle, Punchline and Nothing in Common, which co-stars Jackie Gleason; Gleason’s classic pairing with Richard Pryor in The Toy; Pryor and Gene Wilder teaming for Stir Crazy; Steel Magnolias starring Julia Roberts; Robin Williams in The Fisher King and Moscow on the Hudson; Steve Martin in Roxanne and Mixed Nuts; John Belushi and Dan Aykroyd as Neighbors and also This is Spinal Tap, About Last Night and St. Elmo’s Fire.
Library movies from The Walt Disney Studios include: Splash, starring Tom Hanks; Robin Williams and John Travolta in Old Dogs; Ellen DeGeneres chasing Mr. Wrong; Jungle 2 Jungle, starring Tim Allen and Martin Short; Eddie Murphy as The Distinguished Gentleman; John Cusack in High Fidelity and Grosse Pointe Blank as well as Honey, I Shrunk the Kids and its sequel Honey, I Blew Up the Kid, Cool Runnings, Mr. 3000 and The Ref.
Films and stars from the Miramax library include: Kevin Smith’s breakthrough comedy Clerks; Flirting With Disaster, starring Ben Stiller; Keeping Up With The Steins with Jeremy Piven and Cheryl Hines; Kristen Stewart, Kristen Wiig, and Bill Hader in Adventureland; Robert Altman’s Pret-A-Porter, with Julia Roberts and Tim Robbins; an all-star cast in Beautiful Girls; Ben Affleck, Liv Tyler and Jason Biggs in Jersey Girl; Matthew Broderick in The Night We Never Met and William H. Macy and Steve Zahn in Happy, Texas.
LAFF will feature a mix of contemporary off-network sitcoms and popular theatrical motion pictures, with a target audience of adults 18-49.
Film Production
Priyanka Kaur Dhillon joins SVF Entertainment as lead for music distribution
A seasoned content dealmaker with 16 years in digital and satellite media joins the Bengali entertainment powerhouse as it pushes into the pan-India music market
Mumbai: Priyanka Kaur Dhillon has made her move. The content acquisitions and commercials veteran, most recently commercial manager at Sony Pictures Networks India, has joined SVF Entertainment as lead for music distribution, stepping into one of the more interesting briefs in regional entertainment right now.
SVF is no ordinary regional label. Over 30 years it has built a formidable legacy in Bengali cinema and music, driven by culturally resonant storytelling and a catalogue that consistently punches above its weight. Its recent success with Chiraiya underlines the point. But the Kolkata-based powerhouse now has its sights firmly set beyond Bengal, most visibly through Legacy, a rap reality series produced in collaboration with hip-hop label Kalamkaar that signals a deliberate push into the pan-India music ecosystem.
Dhillon brings precisely the kind of muscle SVF needs for that expansion. At Sony Pictures Networks India, she led film acquisition and commercials and handled music licensing across the entire satellite network. Before that, she spent nearly 15 years at Hungama, rising to assistant general manager and leading strategic content licensing for the platform’s digital entertainment business, with a particular focus on international markets. Her label relationships span the full roster: Sony Music, Universal Music, Warner Music, Believe International, Tunecore, The Orchard and a clutch of smaller aggregators. She has negotiated and closed deals with Hollywood studios, Bollywood production houses and regional content players alike, building pricing models and deal structures off data analysis rather than instinct.
Announcing the appointment, Dhillon said she was “thrilled to begin this journey with an iconic Bengali music label and content powerhouse,” adding that SVF’s “constant drive to push boundaries” was what drew her to the role.
SVF has spent three decades proving that regional does not mean limited. With a sharp commercial operator now steering its music distribution, its bid to go national just got a good deal more serious.
