iWorld
Jeffrey Katzenberg’s Quibi OTT makes quiet India launch
MUMBAI: Almost silently, without any hoopla or noise, the $1.75 billion-funded, Jeffrey Katzenberg-promoted short video streaming service Quibi made its debut in India on 6 April. Launched in the thick of the CoVid-2019 pandemic, Quibi, which is short for Quick bites, has a price point of Rs 699 a month for the ad-free service and is available for consumption only on smartphones.
Interested viewers can download it from the Google Play stores and the Apple store and try it free for 90 days before they have to cough up the monthly fee. (The US version has two services ad-loaded at $4.99, and ad-free at $7.99 a month.)
The app’s promise is that it has no long-form catalogue movies or shows; every piece of content on it is 10 minutes or less and almost every one of them is an original.
The app launched with 50 shows, but the idea is to launch fresh content every week to take the catalogue up to 175. The slate covers everything from drama to comedy to documentaries to news to sports. On its launch day, Quibi saw over 300,000 downloads.
The big plus of Quibi is its turnstile feature which allows viewers to seamlessly switch between landscape and vertical portrait views without affecting the viewing experience. In fact, each show is edited keeping these two views in mind and two streams are delivered.
Former eBay boss Meg Whitman, who is the CEO of Quibi, stated at CES in Las Vegas in January that as compared to YouTube and platforms where shows were being made at $200 or $5,000 a minute, the spends on her service were $100,000 for a minute of content, speaking highly about its quality and the makers.
In a LinkedIn post, Whitman said, “Quibi was created to entertain, inform, and inspire by reimagining the way mobile users consume premium video content on their phones. The world is a very different place today than it was even two weeks ago. It is our hope that Quibi will provide a small moment of laughter, inspiration, or information during this unprecedented moment in our lives. I am so proud of the hard work of the entire Quibi team who have poured their hearts into building this new technology platform from the ground up. And, thank you to everyone who has made this possible, from our incredible content creators to our outstanding brand partners.”
Among the top-notch creators who have been signed on for the service include: Steven Spielberg, Guillermo del Torro, Lena Waithe and Catherine Hardwick. This apart, there are special news shows being readied for it by NBC, BBC and Entertainment Weekly. Some of the shows which were trending on Quibi at the time of writing included: Most Dangerous Game, punk’d, Chrissy’s Court, The Report by NBC News, Fierce Queens, Shape of Pasta, Survive, Flipped, Thanks a Million, When the Streetlights Go on, etc.
During CES, Katzenberg and Whitman had stated that the service was for consumption on the go, during metro commutes, lunch or tea breaks or when someone had 10 minutes or less to spend on entertainment. With most consumers at home in many nations courtesy the COVID-2019 lockdown, the duo can be sure that viewers during the trial period will probably consume way beyond that.
iWorld
Paramount revamps app with short videos to boost mobile viewer engagement
Streaming giant borrows from TikTok playbook to drive daily usage on phones
LOS ANGELES: Paramount Skydance is giving its streaming strategy a mobile-first twist, rolling out a redesigned version of its Paramount+ app that leans heavily on short-form video to capture viewer attention, according to a Reuters report.
The updated app, currently available to iPhone users via Apple, features scrollable clips such as sports highlights, news snippets, UFC moments and trailers. The idea is simple but effective: get users to open the app multiple times a day, much like they do with TikTok or Instagram.
By encouraging repeat visits, Paramount is betting it can deepen engagement and unlock new features such as real-time statistics during live events and interactive viewing elements. The approach reflects a broader industry shift, where streaming platforms are borrowing cues from social media to stay relevant in an increasingly crowded market.
The stakes are high. In the first quarter of 2026, Paramount accounted for just 2 percent of global app-based streaming, trailing rivals such as Netflix, HBO Max and Peacock, according to data cited by Reuters. Even a potential combination with Warner Bros Discovery would only place it fourth in the streaming rankings.
Meanwhile, YouTube, owned by Google, continues to dominate the mobile video space, boasting user numbers far ahead of Paramount+. This gap has pushed traditional studios to rethink how audiences discover and consume content.
Industry insiders suggest Paramount could go further by experimenting with micro dramas or tapping digital creators to draw in younger viewers. Rivals are already moving in that direction. Netflix is investing in video podcasts featuring names like Pete Davidson, Michael Irvin and Brian Williams, while Amazon has teamed up with Jimmy Donaldson for a reality series.
There are also hints of potential collaboration with TikTok, given shared links to Larry Ellison of Oracle, though both companies have said no formal agreement exists.
The revamp is part of a wider overhaul of Paramount’s streaming operations, including both Paramount+ and Pluto TV, as the company looks to sharpen its competitive edge.
In a market where attention spans are shrinking, Paramount’s latest move signals a clear pivot. If viewers will not come to long-form content, the strategy suggests, then perhaps the content must first meet them in short bursts.
