Hollywood
James Wan to direct Jason Momoa in Warner’s ‘Aquaman’
MUMBAI: James Wan will direct Warner Bros. Pictures’ upcoming Aquaman feature film, which stars Jason Momoaas the sea-dwelling Super Hero.
Warner Bros. Pictures president, creative development and worldwide production Greg Silverman said, “We’ve been so lucky to have worked with James, first on New Line’s The Conjuring and now on their upcoming The Conjuring 2,and are thrilled to have him on board as we continue to expand our DC slate. The Aquaman film will be a major tentpole picture for us and James’s span of work has proven him able to take on any manner of project, bringing his incredible creative talent and unique voice to the material.”
Wan will also be supervising the script by Kurt Johnstad. The film is being produced by Charles Roven, Deborah Snyder and Zack Snyder.
Rovensaid, “James is not only a great storyteller but can make action truly explode on the big screen, and Jason has a dynamic presence that commands your attention.Together, they willbring an undeniable vitality and energy to this characteras he headlines his first feature film.”
Currently set for a 2018 release, the film is based on characters appearing in comic books published by DC Entertainment.
Hollywood
Utopai Studios partners Huace to deploy PAI for long form content
Deal includes revenue sharing as Huace adopts AI engine across global ops
MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.
At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.
For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.
The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.
Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.
The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.
What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.
