Film Production
Warner Bros. signs five-film desi deal to remake its classics for Indian cinema screens
MUMBAI: Hollywood’s muscle just got a Mumbai makeover. In a landmark alliance that promises paisa vasool and popcorn, Warner Bros. Pictures has joined hands with Bhanushali Studios Limited (BSL) and Joat Films to remake five of its legendary films for the Indian market. This isn’t just a Hindi-meets-Hollywood tale—it’s a calculated move to blend global blockbusters with India’s narrative spice and masala magic.
The deal will see the studios collaborate to develop Indian adaptations of iconic Warner Bros. Pictures titles. The reimagined films will retain their emotional heart but undergo a full Indian cultural reset. Warner Bros. Pictures will handle global distribution, indicating a wide international rollout.
“India represents one of the world’s most vibrant and sophisticated film markets, with audiences who deeply appreciate authentic, locally rooted narratives. This partnership allows us to combine our storytelling heritage with exceptional local talent to create films that will resonate profoundly with Indian audiences while maintaining the universal appeal that defines great cinema”, said Warner Bros. Pictures VP & MD India Denzil Dias.
BSL founder Vinod Bhanushali echoed the excitement, stating, “We’re incredibly excited to partner with Warner Bros. Pictures, a studio that has shaped cinematic history across generations. This collaboration represents a unique opportunity to reimagine the stories by Warner Bros. Pictures through an Indian creative lens, blending emotion, scale, and culture for audiences both at home and internationally”.
Jack Nguyen of Joat Films will co-produce the films under his first-look deal with Warner Bros. Pictures. Nguyen, a seasoned industry executive with over 30 years of experience in Asian productions, set up Joat to independently back cinematic projects with regional depth.
“I’m excited to partner with BSL to adapt Warner Bros. Pictures on titles that will resonate with Indian audiences”, Nguyen said. “Warner Bros. Pictures has an unparalleled library from which we will carefully curate select titles for the vibrant Indian market”.
BSL’s recent critical success Sirf Ek Bandaa Kaafi Hai bagged five Filmfare OTT Awards in 2023, including Best Web Original Film—cementing the studio’s rising stock in India’s storytelling ecosystem.
Development for the first project under the alliance is currently underway, with casting calls and crew reveals expected in the coming months.
The strategic move underscores Warner Bros. Pictures’ intent to deepen its global roots by embracing local storytelling formats in high-potential markets. As international studios increasingly eye India for both eyeballs and box office returns, this five-film pact could signal a new genre of big-budget ‘Indiwood’ collaborations.
Film Production
Priyanka Kaur Dhillon joins SVF Entertainment as lead for music distribution
A seasoned content dealmaker with 16 years in digital and satellite media joins the Bengali entertainment powerhouse as it pushes into the pan-India music market
Mumbai: Priyanka Kaur Dhillon has made her move. The content acquisitions and commercials veteran, most recently commercial manager at Sony Pictures Networks India, has joined SVF Entertainment as lead for music distribution, stepping into one of the more interesting briefs in regional entertainment right now.
SVF is no ordinary regional label. Over 30 years it has built a formidable legacy in Bengali cinema and music, driven by culturally resonant storytelling and a catalogue that consistently punches above its weight. Its recent success with Chiraiya underlines the point. But the Kolkata-based powerhouse now has its sights firmly set beyond Bengal, most visibly through Legacy, a rap reality series produced in collaboration with hip-hop label Kalamkaar that signals a deliberate push into the pan-India music ecosystem.
Dhillon brings precisely the kind of muscle SVF needs for that expansion. At Sony Pictures Networks India, she led film acquisition and commercials and handled music licensing across the entire satellite network. Before that, she spent nearly 15 years at Hungama, rising to assistant general manager and leading strategic content licensing for the platform’s digital entertainment business, with a particular focus on international markets. Her label relationships span the full roster: Sony Music, Universal Music, Warner Music, Believe International, Tunecore, The Orchard and a clutch of smaller aggregators. She has negotiated and closed deals with Hollywood studios, Bollywood production houses and regional content players alike, building pricing models and deal structures off data analysis rather than instinct.
Announcing the appointment, Dhillon said she was “thrilled to begin this journey with an iconic Bengali music label and content powerhouse,” adding that SVF’s “constant drive to push boundaries” was what drew her to the role.
SVF has spent three decades proving that regional does not mean limited. With a sharp commercial operator now steering its music distribution, its bid to go national just got a good deal more serious.
