Hollywood
Idris Elba to star in Beasts of No Nation
MUMBAI: The film financed by Red Crown Productions has roped in Elba, a prominent British actor who was recently seen in Pacific Rim as Stacker Pentecost. Cary Fukunaga will direct the adaptation of Uzodinma Iweala’s bestselling novel.
Red Crown Productions’ Daniela Taplin Lundberg and Riva Marker, Parliament of Owls’ Fukunaga and Primary Productions’ principal Amy Kaufman are producers while Daniel Crown and Bill Benenson will be executive producers.
The story is about a young boy called Agu who turns to mercenary fighters when his west African country is engulfed by a war. He has to face the death of his father and the disappearance of his mother as
sister while fighting with a mute man he makes a friend. He will play the lead role of commander.
Beasts of No Nation was packaged by WME. IM Global’s specialty label Acclaim will do international sales at Toronto Film Festival. Fukunaga has previously directed Jane Eyre and is currently on HBO’s series True Detective.
Elba is to be seen as Nelson Mandela in Mandela: Long Walk to Freedom, releasing this November. Both Elba and Fukunaga are repped by WME and managed by Anonymous content.
Hollywood
US theatre group opposes Paramount, Warner Bros. merger, calls it ‘harmful’
Exhibitors warn mega deal could shrink film output and weaken cinema ecosystem
LAS VEGAS: Cinema United has come out strongly against the proposed merger between Paramount Skydance and Warner Bros. Discovery, warning it could concentrate too much power in the hands of a single player and disrupt the global film ecosystem.
Speaking at CinemaCon in Las Vegas, the group’s chief executive Michael O’Leary did not mince words as he addressed thousands of theatre owners. The deal, reportedly valued at $110 billion, was agreed in March after Netflix exited the bidding process.
“We believe this transaction will be harmful to exhibition, consumers and the entire entertainment ecosystem,” O’Leary said, cautioning that greater consolidation would allow fewer distributors to dictate terms around release windows, scheduling and access to film libraries. Theatre owners argue that such scale could reduce competition and ultimately mean fewer films making it to cinemas.
Pushing back, a spokesperson for Paramount Skydance said the merged entity plans to release 30 films annually in theatres, while continuing to operate both studios separately. The company added that the deal would expand opportunities for creators and strengthen competition by backing more projects globally.
However, exhibitors remain unconvinced. Drawing parallels with The Walt Disney Company’s 2019 acquisition of Fox, O’Leary noted a drop in wide theatrical releases post-merger, reinforcing concerns that consolidation often leads to fewer films.
“Unfortunately, history shows us that consolidation results in fewer films being produced for movie theaters,” O’Leary said.
Beyond output, Cinema United also flagged concerns around theatrical windows, warning that a combined Paramount-Warner entity could exert greater control over how long films remain exclusively in cinemas before shifting to other platforms.
With the debate set to intensify, the clash highlights a familiar tension in Hollywood: scale versus diversity. For theatre owners, the stakes are clear, as they push to ensure that bigger does not mean fewer stories on the big screen.
