Hindi
Hindi cinema shines bright at Filmfare’s 70th night
MUMBAI: Lights, camera, nostalgia! The 70th Hyundai Filmfare Awards 2025 with Gujarat Tourism turned Ahmedabad into the heart of Hindi cinema, where stars, stories and songs collided in a night of pure cinematic magic. The telecast of the unforgettable evening airs on 9 November at 9 pm across Zee TV, Zing and Zest, promising fans a front-row seat to the glamour, grandeur and golden memories.
Hosted by the ever-charismatic Shah Rukh Khan, joined by Karan Johar and Maniesh Paul, the ceremony was a dazzling blend of celebration and emotion. The event honoured not just the brightest stars but the creative minds behind the camera, directors, writers, musicians and technicians, all of whom keep Indian cinema’s soul alive.
One of the night’s most goosebump-inducing moments came when SRK and Kajol brought back the magic of Dilwale Dulhania Le Jayenge, Kuch Kuch Hota Hai and Kabhi Khushi Kabhie Gham, leaving the audience awash in nostalgia. Adding a heartfelt touch, Abhishek Bachchan paid tribute to his legendary father with a dynamic medley of Amitabh Bachchan classics, from Khaike Paan Banaras Wala to Jumma Chumma.
The evening’s rhythm soared higher with Akshay Kumar’s powerhouse performance of timeless hits and Kriti Sanon’s glamorous homage to Zeenat Aman, who, along with Shyam Benegal, received the prestigious Lifetime Achievement Award. Ananya Panday brought Gujarat’s vibrant culture to life, while Siddhant Chaturvedi saluted Hindi cinema’s dance icons with electrifying energy.
Taking the celebration sky-high, a stunning drone show lit up Ahmedabad’s skyline, tracing the evolution of Hindi cinema through the decades. A nostalgic ‘Cine Icon Awards’ segment revisited legends like Bimal Roy, Sridevi, Dilip Kumar, Nutan, and Amitabh Bachchan, right up to the 1990s icons SRK, Kajol and Karan Johar.
The telecast also captures intimate moments, from the audience joining SRK to wish Big B a happy birthday to Ravi Kishan and Abhishek Bachchan winning their first-ever Filmfare trophies.
So, polish that popcorn bowl and prepare for an unforgettable evening. The 70th Filmfare Awards 2025 promises everything Hindi cinema stands for, emotion, entertainment and eternal magic, on 9 November at 9 pm only on Zee TV, Zing and Zest.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
