Hindi
Five regional centres of India’s premier drama school to open in other parts of country
NEW DELHI: The Delhi-based National School of Drama, which has formed the training ground for some of the best television and film personalities, is to get five regional centres in different parts of the country, Parliament has been told.
This follows the recommendations made by the Broad Based Committee for opening up of five regional centres across the country.
The NSD Society proposes to establish one regional centre each at Kolkata, Mumbai/Goa, Jammu and Kashmir, and the North-East besides upgrading the existing Regional Resource Centre (RRC) at Bengaluru to become a full-fledged regional centre.
Culture Minister Mahesh Sharma said these regional centres are to be established in consultation with the concerned State Governments who were required to provide accommodation for the purpose.
So far, only Karnataka has allotted land for the purpose at Bengaluru. NSD has started one year teaching training programme in the Bengaluru Chapter commencing from academic session 2014-15.
In addition, under consolidation of Out-reach Programme in the North-East Region, NSD has opened its Centres in Sikkim and Tripura.
Several actors like Om Puri, Naseeruddin Shah, Shabana Azmi, Nadira Babbar, Kulbhushan Kharbanda and others and filmmakers like M S Sathyu have made major contributions to the NSD, many of them beginning their careers here.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
