iWorld
Facebook launches Agency Ambassadors Program in APAC
MUMBAI: With the ever-evolving nature of the digital landscape and millions of pieces of online content being created every minute, it’s never been more important for marketers to understand how to cut through the clutter to reach their audience.
In a bid to keep its agency partners up to speed on its products and services as well as support the development of local agency talent, Facebook’s initiative saw top creative and media minds from agencies across Asia-Pacific took part in the very first Agency Ambassador program for the region.
Facebook launched the Agency Ambassador Program in Asia-Pacific as a hands-on education session. During the three-day session in Singapore, Facebook’s teams worked closely with agency representatives from India, Japan, Korea and Southeast Asia on how to apply best practices to campaigns and client briefs so the knowledge sticks.
Joining it for the Agency Ambassador sessions in Singapore were representatives from Amnet, Carat, CyberAgent, Dentsu, iProspect, OMD, PHD, Hakuhodo, Havas Media, IPG, Madison, Resolution Media, Septeni, Starcom Mediavest and ZenithOptimedia.
What they did?
A little bit of work and a little bit of play. Day one was kicked off with a tour of the new Facebook Singapore digs and a local goodies swap, agency reps sharing snacks from their home country as a ‘getting to know you’ icebreaker. The reps were then broken into teams for a Blueprint download, each group given a hypothetical client brief they had to bring to life using Facebook marketing principals they had learnt throughout the day. The session covered everything from dissecting a brief, putting up ads wireframes to align with business objectives, creative best practice, a targeting module as well as campaign measurement and reporting.
It was a full day of planning, executing and reporting, where participants soaked up knowledge not only from Facebook but also from each other.
“We found agencies and clients learn more efficiently when they take concepts and apply them immediately so they stick. It’s not just about listening to someone talk—it’s about interacting with your team members and putting what you learn into action as the day goes on,” shares Facebook APAC agency development lead Matthew Drury.
Day two was a mix of deep dive learning sessions from Facebook and Instagram experts like Fergus O’Hare from the Creative Shop, Amit Chaubey from Marketing Science and Swati Rai who chatted about Atlas and what it means for agencies and brands.
Participants had the chance to ask questions after each session to better understand how Facebook can help them achieve the best results for their current clients as well as win new business.
But it wasn’t just work—it was also a chance for agency teams from around the region to connect with each other, mingling and networking over drinks in the Facebook Singapore beer garden before heading out to dinner.
What’s next?
Facebook will continue to work closely with the agency representatives that took part in the Ambassador Program, helping them to hand select Blueprint courses relevant to their agency. The agency ambassadors will head up Facebook and Instagram product learning within their agencies so other team members are brought up to speed on the marketing products available to them.
“We will continue the conversation now that everyone has gone back home. They are part of our Facebook and Instagram community so we want to keep the dialogue flowing. We will work with our ambassadors to get feedback on our products so we can tailor them to better suit their clients’ needs and ultimately collaborate to produce more stand out, award winning work,” added Facebook APAC agency development lead Edel Horgan.
iWorld
Micro-dramas rewrite India’s digital storytelling rules
New format delivers 800 hours of content and Rs 650 crore in revenue in 2025 alone.
MUMBAI: Micro-dramas just turned two-minute attention spans into a full-blown industry because when your story has to hook someone before they swipe away, every second counts like a cliffhanger.
At the FICCI-EY Media & Entertainment Industry Report launch, a high-powered panel explored how micro-dramas are reshaping content creation, discovery and monetisation in India’s digital ecosystem. Moderated by film critic Stutee Ghosh, the session featured Karan Bedi (Director & Head, Amazon MX Player), Kunj Sanghvi (SVP – Content, Kuku TV), Neha Markanda (chief business officer, Sharechat and Moj), Saameer Mody (Founder & MD, Pocket Films & Pocket TV) and Shweta Bajpai (Group Director – Finserv, Media, Travel and Services, Meta India).
The discussion opened with a clear question: what exactly is a micro-drama? Kunj Sanghvi offered the most precise definition, positioning it as content that sits comfortably between long-form films and short-form Reels. “It is feature-length stories 90 to 100 minutes in total told in 45 to 50 episodes of roughly two minutes each,” he explained. The real differentiator, he added, lies in algorithmic distribution on social feeds. A strong cliffhanger at the end of each snippet creates an “uncontrollable urge” to download the app and continue, turning passive scrolling into active consumption.
Shweta Bajpai brought a platform perspective, noting that micro-drama perfectly combines three major trends that have been building for the past four to five years, short-form video, creator-led storytelling, and episodic entertainment. She pointed out that 71 per cent of consumers discovered the category only in the last six months, with a staggering 89 per cent stumbling upon it organically while browsing Reels or Facebook feeds. Once hooked, they click the call-to-action and start bingeing.
One of the most striking revelations was the solitary nature of consumption. According to Meta’s report with Ormax Media, 90 per cent of micro-drama viewing happens alone. This private, personal-screen habit gives creators room to experiment with edgier, more intimate or bold narratives that might not work in a shared family viewing environment.
The panel addressed the frequent criticism that micro-dramas are merely dopamine hits rather than proper storytelling. Saameer Mody countered that telling a compelling story in a very short time is actually harder than in long-form. “Short filmmakers have always said it’s tougher to deliver your message in limited time,” he noted, comparing it to advertising, which has told complete stories in under 30 seconds for decades. “Two minutes is luxury,” he quipped.
Neha Markanda observed that the format’s rapid acceleration has surprised even insiders. From 150 million daily views shortly after launch to 400 million today, with average time spent nearing 50 minutes per day, the growth has been “beyond phenomenal.” She estimated that 10–15 per cent of India’s internet population is already consuming micro-dramas across platforms, leaving massive headroom for expansion. EY predictions suggest the category could grow 3x in three years, but some panellists believe it could be even faster.
Kunj Sanghvi highlighted that genres in micro-dramas evolve and exhaust quickly. “Genres get exhausted really fast,” he said. “After the 50th micro-drama of the same type, the audience already knows what’s coming.” This forces constant innovation and micro-segmentation. Platforms are already serving very specific audiences, IAS aspirants, middle-aged romance seekers, or those who enjoy moral conflicts between doctors and billionaires proving the format’s ability to cater to niche emotional triggers.
Regionalisation is seen as inevitable. While Hindi currently dominates, Tamil and Telugu are growing fast, and vernacular supply is expected to catch up with demand. The cost of creation, already low, is falling further with AI tools, raising the prospect of hundreds of new titles every month in the near future.
Karan Bedi explained MX Player’s decision to keep the format entirely free, “We think there is potentially 800 million screens in India. If we’re at 10–15 per cent penetration today, we have 8x to go.” By removing the paywall, the platform aims to learn rapidly at scale and capture the massive untapped audience.
The panel agreed that micro-drama is not replacing traditional long-form storytelling but adding a new, highly addictive layer tailored to fragmented attention spans and mobile-first habits. As Shweta Bajpai put it, today’s audience is “entertainment hungry, but has less time to spare” and wants content that feels both personal and aspirational.
In a world where everyone is racing against the next swipe, micro-dramas have mastered the art of the perfect hook proving that the smallest screen can still deliver the biggest emotional punch, two minutes at a time. With India still at relatively low penetration compared to China’s 80 per cent, the format is poised for explosive growth, and the only question left is how quickly creators and platforms can keep feeding the insatiable appetite for the next cliffhanger.
