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ErosNow ties up with Idea to provide Bollywood content on 4G

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NEW DELHI: Eros International’s OTT (over-the-top) platform ErosNow has entered into a content deal with telecom company Idea Cellular to provide a platform for its 4G users.

 

The partnership offers Idea 4G subscribers access to ErosNow’s premium bundled services including movies, music, TV content and ErosNow originals.

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Eros Digital CEO Rishika Lulla Singh said, “With the growing penetration of data services across India, content consumption is surging across consumers. ErosNow’s association with a leading telecom player like Idea provides us the ideal platform to reach a larger subscriber base and offer a very compelling array of Bollywood and regional content. This strategic association with Idea is the beginning of a long term relationship we intend to build in the future.”

 

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Idea Cellular CMO Sashi Shankar added, “With Idea’s foray into 4G services, we are strengthening our 4G portfolio and digital presence through an assortment of digital content in partnership with leading content aggregators, handset manufacturers, and e-commerce retailers. ‘Movies and Videos’ is the highest consumed service category by data consumers on the Idea network, and I’m confident that our association with ErosNow will provide an enriching experience to our 4G customers.”

 

Idea had recently announced the launch of 4G services across five southern states of India, and plans to expand to 750 towns in 10 service areas by June 2016.

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The association with ErosNow will enable Idea 4G customers in these markets to enjoy the content at a monthly subscription price of Rs 49. Idea is also offering a special subscription price of Rs 29 per month for its new 4G customers till 31 March, 2016.

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iWorld

Arafta Season 2 greenlit as YouTube hit crosses 850 million views

GoQuest, Rains double down on global Turkish drama success story

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MUMBAI: GoQuest Media and Rains Pictures have greenlit Season 2 of Arafta, riding on the runaway success of its debut season that has clocked over 850 million views on YouTube and secured licensing deals across 19 territories.

The upcoming season, already in production, will span 100 episodes and continue with a YouTube-first release strategy, a model that has proved to be a quiet disruptor in global content distribution. Season 1, which premiered in November 2025, built a strong digital following before translating that traction into international deals.

The series is currently licensed to platforms including Amazon MX Player in India, Kanal 7 in Turkey, and Vidio, along with several markets across Europe such as Romania, Hungary and Latvia. Across five language channels, the show has amassed more than 2.5 million subscribers, signalling growing global appetite for Turkish storytelling.

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Notably, many of these licensing deals were struck after the show had already aired on YouTube, flipping the traditional distribution model on its head. Instead of competing with broadcasters, the digital-first strategy appears to be doing the heavy lifting in building awareness and audience demand.

GoQuest Media managing director Vivek Lath said, “Arafta is proving out what we believed about the make-to-sell model. A YouTube-first release does not compete with licensing. It builds the asset that licensees are buying.”

Season 1 wrapped on April 17 with a globally streamed finale that drew over 102,000 concurrent viewers, setting the stage for the next chapter. Lead actors İlsu Demirci and Emin Günenç will return, with the narrative continuing to explore themes of love, vengeance, sacrifice and fate.

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Rains Pictures executive Sevda Kaygısız said the decision to move quickly into Season 2 was driven not just by success, but by the depth of the story still to be told. “Arafta is not just a successful project for us; it reflects our belief in powerful storytelling and building a genuine emotional connection with audiences,” she noted.

As Turkish dramas continue to travel beyond borders, Arafta’s success underscores a larger shift in how global hits are made and sold. In this case, the small screen found its big moment online first, and the world followed.

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