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Eros International acquires international rights of Excel’s upcoming movies

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MUMBAI: Eros International Media (Eros International), one of the leading global film company in the Indian film entertainment industry has acquired the international rights of Excel Entertainment’s eagerly awaited films – Zoya Akhtar’s Dil Dhadakne Do and film critic turned director Karan Anshuman’s Bangistan.

 

Dil Dhadakne Do, in Zoya’s trademark style boasts of an ensemble cast including Anil Kapoor, Ranveer Singh, Farhan Akhtar, Priyanka Chopra, Anushka Sharma and Shefali Shah. Shot mostly in foreign locales on a cruise ship, the film is a drama centered around a dysfunctional Punjabi family.

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Anshuman’s Bangistan, a hilarious parody stars Riteish Deshmukh and Pulkit Samrat as two rival, blundering terrorists with Jacqueline Fernandez making a special appearance.

 

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Eros International CEO Jyoti Deshpande stated: “After a successful association for Zindagi Na Milegi Dobara, we are happy to once again partner with Excel who are known to make films that entertain as well as consistently offer a fresh take on cinema. Dil Dhadakne Do and Bangistan are looking extremely promising and we are looking forward to showcase these films internationally through our digital and distribution network.”

 

Excel Entertainment producer Ritesh Sidhwani added: “We are happy to collaborate with Eros for these two exciting projects and present them on a worldwide platform through their outstanding distribution network.”

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Eros will release Bangistan on 17 April 2015 and Dil Dhadakne Do on 5 June 2015 in the international markets.

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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