International
‘Edge of tomorrow’ clocks in as the weekend’s #1 film worldwide
MUMBAI: Warner Bros. Pictures’ and Village Roadshow Pictures’ ‘Edge of Tomorrow’ grossed $111.1 million, making it the weekend’s #1 film internationally and worldwide. The announcement was made by Domestic Distribution president Dan Fellman and Warner Bros. International Distribution president Veronika Kwan Vandenberg.
Internationally, the film has been in limited release for 12 days, including Wednesday openings, and debuted in an additional 36 countries over the weekend, earning an impressive $82 million, including outstanding returns in Russia with $8.6 million, China with $25 million and Korea at $16.6 million. The international cumulative gross now stands at $111 million. On the domestic side, in its first three days of release, ‘Edge of Tomorrow’ has grossed $29.1 million, bringing the worldwide total to $140.1 million and counting.
In making the announcement, Fellman stated, “‘Edge of Tomorrow’ has received terrific critical acclaim, which has been echoed by audiences who have responded to the film and the fantastic performances of Tom Cruise and Emily Blunt. Word-of-mouth is extremely strong, which should continue to drive moviegoers to the theatre, either for the first time or to enjoy the film again.”
Kwan Vandenberg said, “‘Edge of Tomorrow’ has risen above the crowded summer marketplace and continues to gain momentum, from our massive opening in Korea to the incredible results we’ve seen in Russia and China. We congratulate Doug Liman, Tom Cruise, Emily Blunt and the remarkable filmmakers, cast and crew on reaching this terrific benchmark.”
Oscar nominee Tom Cruise and Emily Blunt star in Warner Bros. Pictures’ and Village Roadshow Pictures’ action thriller ‘Edge of Tomorrow’ under the direction of Doug Liman.
The epic action unfolds in a near future in which an alien race has hit the earth in an unrelenting assault, unbeatable by any military unit in the world.
Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop—forcing him to live out the same brutal combat over and over, fighting and dying again…and again.
But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Rita take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy.
The international cast also includes Bill Paxton, Brendan Gleeson, Noah Taylor, Kick Gurry, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Masayoshi Haneda and Tony Way.
Liman directed ‘Edge of Tomorrow’ from a screenplay by Christopher McQuarrie and Jez Butterworth & John-Henry Butterworth, based on the novel entitled All You Need is Kill by Hiroshi Sakurazaka. Erwin Stoff produced, along with Tom Lassally, Jeffrey Silver, Gregory Jacobs and Jason Hoffs. The executive producers are Doug Liman, David Bartis, Joby Harold, Hidemi Fukuhara and Bruce Berman, with Tim Lewis and Kim Winther serving as co-producers.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
